M.P. Belaieff

Silvestrov's violin sonata 'Post scriptum' is another of his chamber music postludes. The composer once stated that the title of the work signifies that it is 'a postscript to Mozart and the whole cla...

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Anniversary edition on the occasion of the 75th birthday of Valentin Silvestrov: 'This work could well be called (in analogy to Bach's 'Art of Fugue') 'Art of Melody' if there were a didactic mission....

Con moto, poco rubato, dolce, leggiero, lontano ... - these terms at the beginning of the score occur in almost all compositions of Silvestrov, not only in those many smaller pieces for various ensemb...

Glazunov's Organ Works, which include intricate fugues and double fugues, show that during his lifetime he was the only important Russian composer to write for the organ. His numerous works combine th...

Alexander Glasunov's famous Saxophone Quartet Op. 109 (1932) is one of his last works and, at the same time, one of the earliest quartets for this instrumentation at all. The work is virtually a littl...

Alexander Glasunov's famous Saxophone Quartet Op. 109 (1932) is one of his last works and, at the same time, one of the earliest quartets for this instrumentation at all. The work is virtually a littl...

The piano works of the Russian composer, conductor and pianist Felix Blumenfeld (1863-1931) have unjustly received little attention in recent decades. By publishing a new edition of the studies, the p...

The work was composed in 1999 when a close member of composer's family fell seriously ill. The ode of lamentation is assigned to the two instruments in such a way that they play singly in swift succes...

The work Path (1987) unfolds so to say from top to bottom. The descending line is metonymic with the path through life - from birth to grave. The beginning flageolets of the cellos and the simple moti...

Grechaninov (1864-1956), mostly known for his piano pieces, songs and operas for children, had his first successes within the circle of the St. Petersburg publisher and patron M. P. Belaieff who award...

Mansurian studied Beethoven's 6 Bagatelles Op. 126 and coupled them with thoughts by Proust and T. S. Eliot: The smallest things in life, the little, seemingly useless facts of everyday life are given...

Prince André Volkonsky (1933-2008) was a rather charismatic figure in the Russian post-war music scene. His role as a 'pioneer' in the field of twelve-note music in Russia cannot be overemphasized. Hi...

Hymn for violin and cello was commissioned by violinist Edna Mishell for her international musical project 'Compassion Through Music' which was dedicated to the memory of Yehudi Menuhin. The main idea...

Streichquartett Nr. 1 (1950/51), geschrieben für das 'Ojai Valley Festival' (Calif.) und dort auch zum ersten Mal aufgeführt. Es ist ein 'neo-romantisches' Werk in drei Sätzen mit einer kurzen Coda. D...