Hal Leonard

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

The name SAM-Klang takes the three voice parts from the arrangements - Soprano, Alto and Men - and combines it with the Scandinavian and German words for ‘sound’ to create the portmanteau word ‘sound...

This classic arrangement was originally scored for mixed voices, and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting, which is full of opportunit...

This classic arrangement was originally scored for mixed voices, and is now available for treble choirs! Jazz harmonies are found throughout this lovely a cappella setting, which is full of opportunit...

The 1990s saw a popular revival of big band swing, and no one did it better than the Brian Setzer Orchestra. From the landmark album Dirty Boogie, this a cappella setting of the 16-bar blues classic w...

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

Edited and arranged by John Leavitt, this well-known Italian madrigal is offered in two voicings, enabling singers to be successful, while staying true to the stylistic period.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

An a cappella opening sets the stage for a colorful and descriptive work full of vivid imagery. Sara Teasdale's poem melds the natural world and the personal world in ways that still resonate.

Perhaps your ensemble has sung The Christmas Song many times, many ways ... but this is a truly special treatment. Simple yet sophisticated, Russell Robinson's heartwarming a cappella arrangement give...

Questa amata aria pucciniana è stata reimmaginata per cori a cappella, con un effetto di pura bellezza! Un'ottima scelta per insegnare il fraseggio e la fusione vocale.

Questa amata aria pucciniana è stata reimmaginata per cori a cappella, con un effetto di pura bellezza! Un'ottima scelta per insegnare il fraseggio e la fusione vocale.

Questa melodia del XIII secolo è stata arrangiata per i cori delle scuole superiori che desiderano espandersi nella polifonia per il periodo natalizio. Le linee melodiche fluide lasciano spazio a sfid...

Questa melodia del XIII secolo è stata arrangiata per i cori delle scuole superiori che desiderano espandersi nella polifonia per il periodo natalizio. Le linee melodiche fluide lasciano spazio a sfid...

Un potente messaggio di unità è contenuto in questa proposta a cappella. I momenti di insegnamento abbondano sia nelle parole che nella musica, con armonie lussureggianti che sostengono la profondità...

Un potente messaggio di unità è contenuto in questa proposta a cappella. I momenti di insegnamento abbondano sia nelle parole che nella musica, con armonie lussureggianti che sostengono la profondità...

With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs...