G. Schirmer

Tonal Dynamic Registrations by Cohn. Contents: Monk: Abide With Me * Holden: All Hail The Power Of Jesus' Name * Thome: Andante Religioso (Theme) * Mascagni: Ave Maria (from Cavalleria Rusticana) * Mo...

Contents: Guilmant: Adagio (from Sonata in C Minor) * Franck: Arioso (L'organiste, Book I), Prayer (L'organiste, Book I) * Ave Verum Corpus * Fischer: Christ Is Risen * I Call to You, Lord Jesus Chris...

Includes: The New Born Babe * O Sacred Head, Now Wounded * Praise God Ye Christians Everywhere * and more.

These critico-practical editions by Charles-Marie Widor and Dr. Albert Schweitzer have been a mainstay of organ literature since their publication in 1912. The eight volumes are indexed by the type of...

A collection of popular and well known pieces by some of the master compsers. For Church Services and Praise and worship, the Tonal Dynamic Registrations are by Gregory P. Cohn and enable organists to...

Arranged for Organ by Richard Wayne Dirksen.

For unaccompanied clarinet.

The practice of scales is indispensable for obtaining technical ability; unfortunately, it is too often neglected, in default of a good system of fingering. To make scale-practice really profitable, i...

with a CD of Piano Accompaniments

Arranged for concert band by Erik Leidzen. Grades 4-5. Funeral Music on themes from 'Euryanthe' by C. M. von Weber.

Jaromir Weinberger's Polka And Fugue from the Opera 'Schwanda, the Bagpiper'. Transcribed and adapted for band by Glenn C. Bainum.

Grades 4-5

Transcribed by Donald Hunsberger, this setting has been scored for the expanded orchestra wind section.

Arranged for concert band (grades 4-5) by Chuck Sayre.

This master work in orchestral literature has been expertly adapted for standard concert band instrumentation by Johnnie Vinson. This edition offers skillful cuts and simplifications while maintaining...

Originally written for piano by Dmitri Kabalevsky, here is a marvelous collection of settings for band in contrasting styles. 'Dance' is written in a moderate tempo and features a trumpet melody and a...

Kabalevsky's famous melody from The Comedians may be short in duration, but it is packed with humor and excitement. Carefully adapted for younger bands by Paul Jennings, this one will be a joy to rehe...

Taking this familiar holiday melody, Michael Brown has created an impressive arrangement for young players. Opening with the simple melody stated in flutes and vibes, the setting then blossoms with fu...

Based on Samuel Barber's Overture to the School for Scandal, wind band craftsman Richard Saucedo takes the distinctive and haunting lyrical theme and weaves it into a varied and rewarding concert sett...

This is sure to be one of those orchestral transcriptions that finds a permanent place in the realm of concert band literature. Holst's ability to develop and explore folk melodies with rich, lyrical...

In this unique adaptation of Prokofiev's most recognizable work, James Curnow has made the traditional narrator optional for concert performances. Impeccably scored in a playable setting. (Grade 3)

The Suite for Variety Orchestra, No. 1 (1956) is a work by Dmitri Shostakovich in eight movements that draw from the composer's earlier themes. The first of these movements is the delightful 'March' o...

Composer John Harbison writes: 'Rubies is a version of Thelonious Monk's Ruby, My Dear, which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece ref...

Composer John Harbison writes: 'Rubies is a version of Thelonious Monk's Ruby, My Dear, which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece ref...

Composer John Harbison writes: Rubies is a version of Thelonious Monk's Ruby, My Dear, which he composed while still in his teens. When I was invited by the Seattle Symphony to make a short piece refl...