Faber Music

... a virtuoso tour de force... a visceral dialectic, powered by nervous energy. The Times (Helen Wallace), 21 October 1998

Superstart is a break-through for beginner Viola players, full of exciting music and fun activities from the very first lesson to inspire and stimulate pupils and teachers. Mary Cohen is one of Britai...

Superstart is a break-through for beginner cellists, full of exciting music and fun activities from the very first lesson to inspire and stimulate pupils and teachers. Mary Cohen is one of Britain's l...

My Piano Trio was commissioned by the Trio Zingara at the suggestion of Hans Keller, and I dedicated the piece to him. Since Hans’ views on the piano trio – that it is a more or less impossible medium...

My Piano Trio was commissioned by the Trio Zingara at the suggestion of Hans Keller, and I dedicated the piece to him. Since Hans’ views on the piano trio – that it is a more or less impossible medium...

Commissioned by the Machynlleth Festival with funds from the ArtsCouncil of Wales and the Machynlleth Tabernacle Trust. This piano trio is a mosaic of chorales, frenetic string duets, slow melodies, a...

Commissioned by the Machynlleth Festival with funds from the ArtsCouncil of Wales and the Machynlleth Tabernacle Trust. This piano trio is a mosaic of chorales, frenetic string duets, slow melodies, a...

This work is an arrangement of the central part of Love 200 (1970), for rock band and orchestra. It acts as a nocturne-like slow movement, the only part of the work in which the rock band is silent. I...

As the title indicates, this is not so much a piano quartet in the classical tradition as a series of six short, independent movements, none of them lasting over three minutes. The majority are in dan...

As the title indicates, this is not so much a piano quartet in the classical tradition as a series of six short, independent movements, none of them lasting over three minutes. The majority are in dan...

In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...

In the first part the strings spell out a version of the chaconne (a continuously repeated motive) in octaves while the piano plays improvisatorily against them; the second (and longest) part is a slo...

arrangement of the Tango movement from Symphony No.4

arrangement of the Tango movement from Symphony No.4

The piano may be amplified. This, however, is necessary only when the work is performed with its companion piece, Landscape I, for amplified piano and pre-recorded tape. Landscape II was commissioned...

The piano may be amplified. This, however, is necessary only when the work is performed with its companion piece, Landscape I, for amplified piano and pre-recorded tape. Landscape II was commissioned...

I borrowed the title of this piano quartet from Monteverdi's great madrigal sequence of 1610: "Lagrime d'Amante al Sepolcro dell'Amata". There are six main sections, behind each of which hovers the gh...

Although Adagissimo is short (lasting about eight minutes) it is built from numerous tiny inventions. The piece opens with slow, spare gestures passed gently back and forth between piano and strings....

Triptych was commissioned by the Schubert Ensemble and first performed by them in the Wigmore Hall in May 1984. It is a single movement, lasting 6 ½ minutes, whose title derives both from the three se...

arrangement of the Tango moovement from Symphony No. 4

arrangement of the Tango movement from Symphony No.4

Commissioned by Musica Viva Australia on behalf of Sun Microsystems (Aust.) Always on Time was written in early 2001 as a tribute piece to Russell Bate, the retiring managing director of Sun Microsyst...

Chrissietina's Magic Fantasy was initially conceived as a piece for solo violin, using a somewhat 'rockabilly' style of music. However, it then developed into virtuosic work for two violins, using ele...