Editions Henry Lemoine

bass flute in C sonorised

This is a tricky exercise, for the performer needs to move forwards as well as backwards, to move to and fro, not really following any path, although he sometimes strays from Assonances, as in Berio's...

Più ancora delle magnifiche linee melodiche di rara inventiva, sono le formule pianistiche di accompagnamento ("pattern" in inglese, o "formal" in tedesco) ad affascinarmi nei Lieder di Schubert. Ques...

Musical density. Mind-blowing energy. Extraordinary dizziness magically whisks us off to the very boundaries of audible perception. And then, nothing. Nothing. Intense silence. But still the feeling o...

In reference to Loops I for flute, I wrote: 'the sound of the instrument and the playing techniques are less important than the process of transformation that is set into motion.' The piece's title bo...

I wrote earlier about Loops I for flute that 'the sound of the flute and its techniques are of less importance than the transformation procedure at work. The principle of the style of the piece is con...