Edition Wilhelm Hansen

World-Mothering Air for Woodwind Quintet was composed by Peter Bruun in 2015 for Tine Maj Antonsen and Qvindetta. The title of the piece is from the poem'The Blessed Virgin compared to the air we Brea...

Parts for World-Mothering Air for Woodwind Quintet by Peter Bruun (2015).

My Sonatina for wind quintet was written in January 2002. The three movements of the work (Moderato, Andante Sostenuto and Allegro con brio) are very much based in both structure and idiom on the clas...

Written for a wind choir of 2 Clarinets, 2 Horns and 2 Bassoons, this is a gentle pastoral work in three movements.

Orchestration: fl. ob. 2cl(bcl). bn. hn

Orchestration: fl. ob. 2cl(bcl). bn. hn

Niels Viggo Bentzon's Sonatina arranged for Alto Saxophone and Piano accompaniment from Opus 498. In this score the Saxophone part is written in the key of G.

Epilogue by Anders Koppel. Version for Alto Saxophone And Piano.

Gush for Alto Saxophone was composed by Hans Abrahamsen in 1974. Edited by Christian Ancher Grøn.

Pelle Gudmundsen-Holmgreen's 2013 piece Four Acts, scored for solo Bass Recorder.

Tears for Accordion solo by Bent Lorentzen. Dedicated to Geir Draugsvoll. Edited by Mogens Ellegaard and Geir Draugsvoll.

Accordion Concerto by Niels Viggo Bentzon. Piano Reduction by Paolo Zentilin.

Work dating from 2000 for Accordion Solo.

Accordion/Piano reduction of work for 8 Accordions, Harp and Percussion.

Without A Title Op. 72 is a 1972 work for Accordion by Danish composer, Poul Rovsing Olsen, dedicated to Mogens Ellegaard.

Three progressive suites, for Accordion Solo.

This is an energetic and lively piece, written in 1979 by Vagn Holmboe. Perfect for concerts, auditions, or simply enjoying at home.

Bibalo's Sonata Quasi Una Fantasia for Accordion.

Version for Accordion with Piano Reduction of Orchestral Parts.

Written in 1989, a work for classical accordeon.

CANZONE was written in 1977-78 by a very young and not very Well-known Hans Abrahamsen, who later went on to make a brillant international career for himself as one of Denmark's leading and most origi...

After many years of teaching Accordion, Jeanette and Lars Dyremose realised that there was a real need to supplement the existing Accordion literature with works focusing pedagogically on the developm...

After many years of teaching Accordion, Jeanette and Lars Dyremose realised that there was a real need to supplement the existing Accordion literature with works focusing pedagogically on the developm...