Editio Musica Budapest

From 1848 to 1850 Liszt wrote three piano pieces that were published at the end of 1850 under the title Liebesträume - 3 Notturnos. The composition reworks three songs written between 1843 and 1850 wh...

Of this series of twenty-four études planned by Liszt only twelve were actually written, but the contemporary printed editions of the completed pieces (in the hope of a continuation) appeared with the...

The main part of Supplement Volume 12 features the predecessor of the Grandes Études de Paganini, a series of six études written after Paganini between 1838 and 1840, and referred to by Liszt as trans...

Sonatinas form a vital part of the teaching material for beginner and intermediate piano students. Compared to the great classical piano sonatas, they are technically and musically simpler and typical...

Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an...

At first sight, this publication appears to merely be a collection of pieces due to the lack of drier technical studies that are characteristic of tutors. Yet the selection of the works, their order a...

The chamber music volume compiled by the well-known wind instrument teacher, Péter Perényi, contains music from every period from medieval music to jazz, including works by Morley, Banchieri, Weelkes,...

This collection provides a cross-section of the musical repertoire of more than half a millennium. The editors have chosen the keys so that the pieces can be played equally well on these two widely di...

L rinc Kesztler s Theory of the Harmony of Classical Music was first published by Károly Rozsnyai s publishing house in 1928 and later by the Hungarian State Music Publisher in 1953. It has been a sta...

The inspiration for writing this piece came from the talented young trombonist. The wind part is highly demanding: sure intonation ability is a prerequisite for performing it. Characteristic of this m...

This volume contains one-, two- and several-part excerpts, in chronological order, from the music of the Renaissance (Clemens non Papa, 1510/15-1555/56) to that of the 20th century (Shostakovich, 1906...