Editio Musica Budapest

As sources for this present edition served the manuscript marked Mus. ms. Bach St. 296 held in the Staatsbibliothek Preussischer Kulturbesitz at Berlin. The original title reads: Sonata / a / Flauto T...

Greek mythology seems spontaneously to have offered the figure of linos as the central character in a work for solo harp. (Linos was a poet, believed to be the brother of Orpheus, and according to Gre...

ECHOES NO. 1 (for solo horn) and ECHOES NO. 2 (for two horns) are contemporary pieces by Miklós Kocsár, worldwide celebrate and prizewinning composer of chamber music and choral works. The volumes ECH...

An ABRSM syllabus title.

László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I ad...

In this volume we provide a wide selection of pieces with piano accompaniment, mainly for players in the first 3-4 years of their instrumental studies. In addition to original pieces for clarinet (e....

The composer writes the following about this work: 'As if we could only walk sideways in a tilted force field, Petruska-Harlequin in my piece evokes waltz fragments on a capsized 'Titanic', or Berlioz...

Variations on a Double is a real musical leviathan: almost an hour long, it is a sound-monstrosity that makes exceptional demands of the performers, and is the product of an unusual degree of fusion o...

The first pieces among the 15 Bagatelles were written at the request of Béla Kovács. For his clarinet school he asked for little pieces that would introduce students to the typical innovations of the...

Gergely Vajda composed Lightshadow-trembling at the age of 20 in 1993. Being a clarinettist, he was interested in the possibilities of both traditional and modern ways of playing. Noise elements and s...

I wrote my solo clarinet piece Persistent Dreams in 1991 before my 'Opus 1' Lightshadow-trembling, inspired by Salvador Dal 's painting La persisténcia de la memória. The musical equivalent of the inf...

Both pieces in the present volume are transcriptions from Béla Bartók s Ten Easy Piano Pieces, a series composed for pedagogical purposes in 1908. Their themes are reminiscent of Hungarian and Slovak...