Editio Musica Budapest

Verlagskopie.

The composer wrote this work in 2004 for the Corpus trombone quartet, to whom it is dedicated. The piece consists of a slow and a fast section, both in rondo form. Its musical language makes use of a...

ECHOES NO. 1 (for solo horn) and ECHOES NO. 2 (for two horns) are contemporary pieces by Miklós Kocsár, worldwide celebrate and prizewinning composer of chamber music and choral works. The volumes ECH...

In the last volume in this popular chamber music series trios and quartets feature in roughly equal proportions. Every piece includes a more easily playable part, so that not only music school pupils...

The noted Hungarian composer Miklós Kocsár (b. 1933) composed his Echoes series consisting of four pieces during the 1980s and 1990s. Written for one, two, three, and four horns respectively, each wor...

Nicola Mestrino (1748-1789) was employed for a time in the Esterházy court orchestra under the direction of Joseph Haydn. He later settled in Paris and became one of the most celebrated violin virtuos...

Composer and violinist János Lavotta (1764-1820), as a member - together with János Bihari and Antal Csermák - of the 'virtuoso trio' who played a great role in the history of Hungarian music, was one...

30 intermediate exercises for violin with accompaniment of a second violin

30 intermediate exercises for violin with accompaniment of a second violin

Verlagskopie.

Béla Bartók planned in 1939 to arrange for two violins and three violins his choral works (for egual voices). He was prevented from doing this by his early death. At the request of the Editio Musica B...

One of EMB s most successful composers and publishers, And-rás Soós, has devoted his latest volume to a special instrumental ensemble: three violins. No original works appear in it, in this collection...

English organist and composer James Hook (1746-1827) composed sonatas for cello in an elegant style which were first printed in 1783. Up until that time - to our knowledge - modern printing was not so...

Angelo Maria Fiore (c. 1660-1723), composer and virtuoso cellist, was the founder of the Piedmont school. In 1697 he was invited to the Accademia Filarmonica di Bologna as a rare cello player. During...