Carl Fischer

Emily John offers one of Thomas Morley's (1570-1601) best-known SATB madrigals for SSA. Highly imitative with accessible ranges, Fair Phyllis will introduce women to the English Madrigal School which...

Juneau's piece, O Oriens, was conceptualized with Italian architecture in mind. It uses text from the Marian O Antiphons, a traditional work that celebrate the onset of the Christmas season. As the wo...

Trotta conceived this well-known Latin text as a dialogue between supplicants and the Creator. He masterfully juxtaposes a personal longing for something still to come with the steadfast assurance of...

Non trascurate l'originale composizione di Jones dell'amato inno Amazing Grace, dal ritmo incalzante. Con le percussioni opzionali, è adatto a qualsiasi ensemble SSA e sarà sicuramente il preferito in...

Medieval marries Deck the Hall in this well-crafted arrangement perfect for emerging SA choirs of all ages. Choose handbells, vibraphone or piano along with the percussion for a delightful and novel o...

Originally composed for SATB mixed voices, this Three-Part Mixed setting of the well-known madrigal, with Italian text throughout, may be sung a cappella or accompanied. A fantastic period piece! Also...

The choral writing of Natalie Sleeth needs no introduction, nor does her ingenious Fa-la-la Fantasie! Originally written for SATB voices, Greg Gilpin has masterfully arranged this standard for SAB and...

The lovely Christmas favorite, The First Noel, is given a straightforward arrangement by New York Voices leader, Darmon Meader. There is a judicious mixture of unison writing and part-writing based on...

A classic seventeenth century madrigal, What If I Never Speed?, originally for four voices, has been judiciously re-set for a 3-part choir in a lower key (Bb) than the original (C). This allows the ma...

Darmon Meader, director and founder of the New York Voices vocal ensemble, has become world famous for his remarkable choral arrangements. This traditional English Christmas carol has taken on a breat...

Every choir can do this! Rhythmic meter changes in an a cappella men's section, familiar melody, solo opportunities, and expressive dynamics all add up to a winning choral piece in this Carl Strommen...