Boosey & Hawkes

This gentle and expressive arrangement works equally well highlighting a solo or small ensemble.

Viva La Musica! ( Long Live Music!) is a wonderful theme for any concert. And David Brunner has crafted a wonderful concert opening with a strong, bold, unison exclamation to open the piece. Originall...

Ambientazione natalizia per voci alte (tre parti) di un testo tradizionale inglese del XV secolo con un ritornello latino: "Gabriel of high degree ..." / "Ut nova: Ave fit ex Eva". L'edizione include...

Composto nel 2009, questo breve e solenne Introito è stato il primo di diversi lavori a cappella che ho scritto per Matthew Owens e i Wells Cathedral Girl Choristers. Il testo latino ("Rallegriamoci")...

Questa impostazione della Messa latina (senza Credo) è stata eseguita in prima assoluta nel maggio 2016 dai coristi del Wells Cathedral Choir. Il brano è scritto per tre voci bianche non accompagnate...

Un'ambientazione di versi pastorali di Polonsky risalenti agli ultimi due decenni di vita del compositore, dopo il suo ritiro dalla vita musicale in seguito alla Rivoluzione russa. Leokadiya Kashperov...

Quest'opera (qui nella versione per voci bianche) di Kim André Arnesen, uno dei compositori norvegesi contemporanei più eseguiti, è stata commissionata dalla Athens Master Chorale in Georgia (USA) in...

Nota del compositore:'La versione originale di Ring the bells per coro misto, ora disponibile in una versione per voci corali alte, è stata commissionata dal London Philharmonic Choir, che ha anche ca...

Nella sua versione originale per voci miste, The Gallant Weaver di MacMillan è diventato uno dei suoi brani preferiti; questo arrangiamento estende l'ambientazione alle voci superiori. Paul Spicer com...

The fragmented nature of the poetry is reflected in the many small musical sections. (3:00)

This arrangement explores the Caribbean sty;e known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Eve...

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Adapted from a traditional African-American chant, this is – in the composer's words – a “soulful piledriver with a monster backbeat. ” Plentiful but manageable divisi writing...

This is a highly emotional and powerful piece for women's choir. Composer Boerger asks the chorus to produce the sound of bereavement when it first strikes. A total commitment to the emotions as maste...

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred lov...

Munoera' (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical L...

Lee Kesselman has created a stunning fanfare-like concert opener of short duration, specifically intended for the Allegro Con Brio's (Kansas City area) tour to Italy. Non-pitched bells are added to an...

Taking advantage of the ancient and at the same time relevant musical style we know as Chant, Stephen Hatfiled has created a Funky, rhythmic, modern look at musical styles and how reality and the digi...

Commissioned by the 2012 ACDA Women's Choir R&S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.' One long, rhythmi...

Written for the Wheaton College Christmas Festival, this work with a text by Christian mystic, Hildegard of Bingen, should feel very free, personal and almost improvisational. The close harmony requir...

Dies ist eine aufregende Bearbeitung für zwei Chorstimmen a cappella eines traditionellen amerikanischen Volksliedes. Dabei kann der Gesang optional mit Handklatschen und Bodypercussion begleitet werd...

This folk song arrangement expresses the dispersed Jewish community's hope for reunion 'next year in Jerusalem.” It is comprised of two distinct sections: a newly-composed, sorrowful theme, express...