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The Christmas carol Away In A Manger is associated with two different tunes, both of which are used by arranger, Cynthia Dobrinski in her skillful setting for 3-6 octaves of handbells. The arrangement...

One of the great hymns of the church has been set here by arrangers, Janet Linker and Jane McFadden for 3-5 octaves for bells and organ. Thomas O. Chisholm and William M. Runyan wrote Great Is Thy Fai...

One of the great hymns of the church has been set here by arrangers, Janet Linker and Jane McFadden for 3-5 octaves for bells and organ. Thomas O. Chisholm and William M. Runyan wrote Great Is Thy Fai...

One of the great hymns of the church has been set here by arrangers, Janet Linker and Jane McFadden for 3-5 octaves for bells and organ. Thomas O. Chisholm and William M. Runyan wrote Great Is Thy Fai...

The arranger writes: It has long been my belief that the church's most used and beloved songs should be available in various formats, including handbell arrangements. With this book we begin to offer...

Many bell choir directors today are in need of well-written 2-3 octave selections. Barbara Kinyon is one of the finest writers in the area. Thus, we recommend Barbara's well crafted arrangement of the...

With 3-5 octaves of bells, Cynthia Dobrinski has captured the charm of the traditional German carol, Ihr Kinderlein Kommet. This energetic and sparkling setting includes a variety of stopped sounds in...

A second of Linda McKechnie's adaptations is O Come All Ye Faithful which combines this Christmas carol with J. S. Bach's, Sheep May Safely Graze. Another stunning combination. The reproducible, optio...

Christian concert pianist, Linda McKechnie, has taken several of her arrangements for piano and organ and adapted them for handbells. One of these is Go Tell It On The Mountain Medley in which she ble...

A second of Linda McKechnie's adaptations is O Come All Ye Faithful which combines this Christmas carol with J. S. Bach's, Sheep May Safely Graze. Another stunning combination. The reproducible, optio...

Christian concert pianist, Linda McKechnie, has taken several of her arrangements for piano and organ and adapted them for handbells. One of these is Go Tell It On The Mountain Medley in which she ble...

You can't have a Christmas concert without the 'bring us some figgy pudding' song, and no one has done a more clever setting of We Wish You A Merry Christmas than Cynthia Dobrinski. With the use of ju...

Your need for program building and variety in this year's Christmas concerts will declare this piece irresistible. Set in an appropriate relaxed but strong rhythmic style and with added bass & drum yo...

The traditional American folksong is here set for 3, 4 or 5 octaves of bells. Special performance notes are given for each octave. As one would expect there is a great deal of 'skipping' around, espec...

Composer Cynthia Dobrinski takes inspiration for this original composition from I John 5:4 and Hebrews 12:2 (the faith chapter). The introduction, like faith, begins small and then grows. The melody i...

These duets are set for 2-octaves of handbells and keyboard. The duets are accessible and separate parts are included for each ringer and the keyboardist.

Albert Hay Malotte's beloved 'The Lord's Prayer' is presented here in the original accompaniment scored for the piano and the usually sung melody now rung by a handbell soloist. Bells needed range fro...

Eleven popular arrangements taken from their Crusade repertoire and simplified for easy sight-reading.

Giovanni Pergolesi's original work has been set here for 3-4 octaves of bells and optional 3 octaves of handchimes and keyboard. The keyboard picks up the sixteenth-note figures while the bells ring t...

Giovanni Pergolesi's original work has been set here for 3-4 octaves of bells and optional 3 octaves of handchimes and keyboard. The keyboard picks up the sixteenth-note figures while the bells ring t...

Far and away the best-selling anthem in the Hope catalog with over one million copies sold, Natalie Sleeth's 'Joy in the Morning' is a true classic. This is indispensable choral music! Brass Parts inc...

The beginning section of this arrangement on LAUDA ANIMA is straightforward, chordal ringing. The next section is in 6/8 and requires a lilting feel and abounds in staccato technique. The following se...