Spartiti per batteria e percussioni

Ashtilian, written for 4 timpani, tests the skills of the player with sticking, rhythm changes and changing pitches within the music in the form of glisses. This is an excellent contest piece to show...

Bingo, Bango, Bongo was inspired by many years of friendly golf competitions amongst friends. Specifically the name refers to the three ways to score points in the game represented in the composition...

Oblivious, for timpani and piano, uses many different sounds and colors throughout the entire composition. The performer must be confident with his/her sticking skills and his/her confidence with rhyt...

On your mark'¦get set...ROTATE! Wait, what? That's right, ROTATE! In this piece percussionists physically move to other positions on stage to play different instruments (and try to stay in the right p...

Your students will love a trip on the percussion highway using the Passing Lane. Abundant colours and catchy rhythmic grooves await your students in this challenging but accessible duet for two snare...

Flams are no scams. Two strokes, one quieter, one louder, alternating hands. It's a perfect storm for fun!

Desk Drumming is perfect material for teaching musical elements in any environment: a standard music room, a regular classroom, or even on the floor. These duets can be successfully performed by just...

Conjuring pictures of a snake charmer from India, Morocco or even Egypt, this dance for three xylophones with rhythmic percussion has all the ingredients of that slithering imagery. This piece require...

Stick Dance is reminiscent of Canaries, a solo work for 4 timpani composed by Eliott Carter. Like Canaries, this piece is an example of metric modulation, changing tempo using the rhythms present. Unl...