Wolfgang Amadeus Mozart
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
- coro e orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- solisti, coro e orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- solisti, coro e orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
- coro misto (SATB) e orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
- coro misto (SATB) e orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
- solisti, coro e orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Ultima opera composta da Mozart per la Cattedrale di Salisburgo, il titolo originale di questa composizione corale sacra, VESPERAE SOLENNES DE CONFESSORE (Vespri solenni per un confessore), non includ...
Ultima opera composta da Mozart per la Cattedrale di Salisburgo, il titolo originale di questa composizione corale sacra, VESPERAE SOLENNES DE CONFESSORE (Vespri solenni per un confessore), non includ...
- Solisti (SATB), Coro misto e Orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- solisti, coro e orchestra
- partitura
- Alois Schmitt
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- solisti, coro e orchestra
- partitura e parti
- Alois Schmitt
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Symphony No. 16 in C Major, K. 128 was composed when Wolfgang Amadeus Mozart (1756-1791) was 16 years old. It was the first of three written in May 1772 while he stayed in Salzburg. The first movement...
Symphony No. 16 in C Major, K. 128 was composed when Wolfgang Amadeus Mozart (1756-1791) was 16 years old. It was the first of three written in May 1772 while he stayed in Salzburg. The first movement...
- orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Symphony No. 16 in C Major, K. 128 was composed when Wolfgang Amadeus Mozart (1756-1791) was 16 years old. It was the first of three written in May 1772 while he stayed in Salzburg. The first movement...
Symphony No. 16 in C Major, K. 128 was composed when Wolfgang Amadeus Mozart (1756-1791) was 16 years old. It was the first of three written in May 1772 while he stayed in Salzburg. The first movement...
- orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Nel 1787, Wolfgang Amadeus Mozart (1756-1791) succedette a Christoph Gluck come compositore da camera di Giuseppe II. Uno dei suoi compiti principali era quello di scrivere musica per i balli e le dan...
Nel 1787, Wolfgang Amadeus Mozart (1756-1791) succedette a Christoph Gluck come compositore da camera di Giuseppe II. Uno dei suoi compiti principali era quello di scrivere musica per i balli e le dan...
- orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Nel 1787, Wolfgang Amadeus Mozart (1756-1791) succedette a Christoph Gluck come compositore da camera di Giuseppe II. Uno dei suoi compiti principali era quello di scrivere musica per i balli e le dan...
Nel 1787, Wolfgang Amadeus Mozart (1756-1791) succedette a Christoph Gluck come compositore da camera di Giuseppe II. Uno dei suoi compiti principali era quello di scrivere musica per i balli e le dan...
- orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Nel marzo del 1791, Wolfgang Amadeus Mozart (1756-1791) compose l'aria da concerto PER QUESTA BELLA MANO, K. 612, poco prima di iniziare a lavorare al FLUTO MAGICO. È conosciuta per la sua parte di co...
Nel marzo del 1791, Wolfgang Amadeus Mozart (1756-1791) compose l'aria da concerto PER QUESTA BELLA MANO, K. 612, poco prima di iniziare a lavorare al FLUTO MAGICO. È conosciuta per la sua parte di co...
- Voce (bassa), Contrabbasso e Orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Nel marzo del 1791, Wolfgang Amadeus Mozart (1756-1791) compose l'aria da concerto PER QUESTA BELLA MANO, K. 612, poco prima di iniziare a lavorare al FLUTO MAGICO. È conosciuta per la sua parte di co...
Nel marzo del 1791, Wolfgang Amadeus Mozart (1756-1791) compose l'aria da concerto PER QUESTA BELLA MANO, K. 612, poco prima di iniziare a lavorare al FLUTO MAGICO. È conosciuta per la sua parte di co...
- Voce (bassa), Contrabbasso e Orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
These Three Marches, K. 408 (K. 383e [No. 1], K. 385a [No. 2], K. 383f [No. 3]) were composed for orchestra by Wolfgang Amadeus Mozart (1756-1791) in 1782. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str...
These Three Marches, K. 408 (K. 383e [No. 1], K. 385a [No. 2], K. 383f [No. 3]) were composed for orchestra by Wolfgang Amadeus Mozart (1756-1791) in 1782. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str...
- orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
These Three Marches, K. 408 (K. 383e [No. 1], K. 385a [No. 2], K. 383f [No. 3]) were composed for orchestra by Wolfgang Amadeus Mozart (1756-1791) in 1782. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str...
These Three Marches, K. 408 (K. 383e [No. 1], K. 385a [No. 2], K. 383f [No. 3]) were composed for orchestra by Wolfgang Amadeus Mozart (1756-1791) in 1782. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str...
- orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...
La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...
- orchestra
- partitura
- Graham Sheen
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...
La Clemenza di Tito (The Clemency of Titus), K. 621 was written by Wolfgang Amadeus Mozart (1756-1791) in 1791 after he had almost finished Die Zauberflöte (The Magic Flute). Commissioned to celebrate...
- orchestra
- partitura e parti
- Graham Sheen
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...
Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...
- orchestra
- partitura
- Graham Sheen
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...
Der Schauspieldirektor (The Impressario) is a comic singspiel written by W.A. Mozart (1756-1791) as "a parody on the vanity of singers," who argue over status and pay. Described by Mozart as "comedy w...
- orchestra
- partitura e parti
- Graham Sheen
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
La MAURERISCHE TRAUERMUSIK (MUSICA FUNERARIA MASONICA) in do minore, K. 477/K. 479a di Wolfgang Amadeus Mozart (1756 - 1791) fu composta nel 1785 come membro della Massoneria. Fu eseguito durante un s...
La MAURERISCHE TRAUERMUSIK (MUSICA FUNERARIA MASONICA) in do minore, K. 477/K. 479a di Wolfgang Amadeus Mozart (1756 - 1791) fu composta nel 1785 come membro della Massoneria. Fu eseguito durante un s...
- orchestra
- partitura
- Howard Chandler Robbins Landon
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
La MAURERISCHE TRAUERMUSIK (MUSICA FUNERARIA MASONICA) in do minore, K. 477/K. 479a di Wolfgang Amadeus Mozart (1756 - 1791) fu composta nel 1785 come membro della Massoneria. Fu eseguito durante un s...
La MAURERISCHE TRAUERMUSIK (MUSICA FUNERARIA MASONICA) in do minore, K. 477/K. 479a di Wolfgang Amadeus Mozart (1756 - 1791) fu composta nel 1785 come membro della Massoneria. Fu eseguito durante un s...
- orchestra
- partitura e parti
- Howard Chandler Robbins Landon
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
- orchestra
- partitura
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
It is widely believed that Wolfgang Amadeus Mozart (1756-1791) wrote the Adagio in E major, K. 261 in or around 1776 as a replacement for the second movement of his Violin Concerto No. 5 in A, K. 219....
- orchestra
- partitura e parti
- Edwin F. Kalmus
-
sarà spedito 2-4 settimani