Walter Lebermann
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
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Partitur = Cembalo - Streichorchester und B.c.
Partitur = Cembalo - Streichorchester und B.c.
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A perfect example for an early symphony in the Neapolitan style.
A perfect example for an early symphony in the Neapolitan style.
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Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
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Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe
Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe
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- 2 oboi, 2 corni e orchestra d'archi
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- orchestra d'archi
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A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
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A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
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Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester
Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester
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- viola e orchestra d'archi
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
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A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...
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Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
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Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...
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Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
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Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...
Though A.E. Brachvogel's portrayal of the failed genius' in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductiv...
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Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
Though A.E. Brachvogel's portrayal of the failed genius in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive...
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- clarinetto e orchestra d'archi
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- clarinetto e orchestra d'archi
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