Václav Nelhýbel

Adoratio de parte altera Cantici Canticorum Solomonis (Adoration from the Second Book of the Song of Solomon) is written for 21 voices a capella (6 Sopranos, 5 Altos, 5 Tenors, 5 Basses [or larger Cho...

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Choral score.

Written for SATB chorus, a capella.

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Conductor score and accompaniment part.

Based on Predude I from THE WELL-TEMPERED CLAVIER.

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

SUITE NO. 1 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and us...

SUITE NO. 3 is part of Vaclav Nelhybel's ABC Series, a series conceived with the technical limitations of young performing groups in mind, carefully planning every structural composition device and us...

Also available for 12 Saxophones, Harpsichord (and/or Electric Piano), Voice (titled CONCERTO SPIRITUOSO NO.2).

Here's a magnificent arrangement of Purcell's ever-popular Trumpet Voluntary! Nelhybel begins by setting up wonderful counterpoint by splitting the violins into four independent parts before bring in...

All the melodic lines are written in the Dorian mode (D minor, played most of the time on the white keys of the piano) and except for the modern snare drum, the percussion evokes the character of the...

All the melodic lines are written in the Dorian mode (D minor, played most of the time on the white keys of the piano) and except for the modern snare drum, the percussion evokes the character of the...