Thomas Morley

A wonderful set of three tremendous songs by composers from the Renaissance era. All in delightful settings for SSA Upper Voice choir, edited by Jerry Weseley Harris. Two cheerful and energetic piece...

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonatio...

Add a Renaissance touch to your holiday concerts! Madrigal for Christmas is fashioned after the ballettos of Italy which featured the popular fa la la refrains. In this piece, Morley uses a different...

Ecco una risorsa economica per concerti e concorsi! Curata con perizia e splendidamente incisa, questa raccolta curata di opere dell'epoca rinascimentale sarà una fantastica aggiunta alla vostra bibli...

This classic English madrigal by Thomas Morley (1557-1603) has been wisely edited and arranged by famed teacher/composer Joyce Eilers. The uniqueness is the voicing: SSAB, for choirs whose members num...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

Introduce your choir to Renaissance a cappella singing through this well-known Thomas Morley madrigal. An excellent choice at festival and contest for younger choirs. Available separately, 3-Part Mixe...

Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this gentle work offers superb opportunities for developing style, intonation...

This secular English madrigal dances with rhythmic energy and fiery passion! The two soprano parts create an echo effect if separated spatially. Fun!

This secular English madrigal dances with rhythmic energy and fiery passion! The two soprano parts create an echo effect if separated spatially. Fun!

From Walter S. Collins' familiar choral masterworks, 'Thomas Morley's bright sixteen-measure masterpiece is perhaps the most frequently sung piece from the entire English madrigal period, though it is...

For unaccompanied SSATB chorus.

Sing We And Chant It is a delightful piece for SSATB Choir a cappella by Thomas Morley (1557-1602). A piano part is scored for rehearsal purposes only.

A Madrigal for SATB Chorus A Cappella, edited by Dennirs R. Woodhall.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

An intriguing mix of old and new, Kirby's treatment of the Thomas Morley madrigal retains the original vocal parts in dancing counterpoint, while adding a fresh rhythmic refrain at the beginning and e...

An intriguing mix of old and new, Kirby's treatment of the Thomas Morley madrigal retains the original vocal parts in dancing counterpoint, while adding a fresh rhythmic refrain at the beginning and e...