Robert Herrick

Anthem for SATB Choir A Cappella. Text: Robert Herrick

Bruce Montgomery's Gather Ye Rosebuds is a setting of prominent Cavalier poet Robert Herrick's words for Unaccompanied SATB chorus.

Non oso chiedere un bacio per soprano, quintetto d'archi, percussioni, arpa e pianoforte. Partitura di 8 pagine e parti incluse. La parte del soprano può essere eseguita anche da trombone, tromba o fl...

For Baritone and Ensemble (2 Trumpet, 2 Trombone, / Percussion, 4 Violin, 4 Double Bass). Published 1972. Text: Herrick. First performance: Michael Rippon, London Sinfonietta conducted by John Prich...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...

The 17th century poem by Robert Herrick forms the basis for this lovely setting. The solo opening is taken up by the choir in a gently imitative way, followed by a contrasting middle section that refl...