Rebecca Clarke

He that dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the highly...

gemCh (SSAATTBB), Solisten (SAATB) - Chorpart.

Clarke's SONATA FOR VIOLA represents the peak of Rebecca Clarke's compositional career, being well-received upon its premiere in 1919 and tying for first place in a composition competition with a piec...

This lovely piece from the 1940s is back by popular demand. Ideal for study or recital. Also available for viola and piano.

This collection contains all the extant shorter pieces by Rebecca Clarke for cello and piano, both original compositions and arrangements. Clarke's transcriptions make up around half of her works for...

Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) was the first of Rebecca Clarke's choral works ever to be published.

This exquisite setting for SSA unaccompanied voices of a well-known Marian motet (in Latin) is the first of Rebecca Clarke's choral works ever to be published.

For unaccompanied five-part women's chorus (SSSAA). Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the E...

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

gemCh (SATB) - Chorpart.

By turns charming, tender, and ironic, these songs make an excellent concert suite and wonderful encores. They are scored for voice and violin.

Rebecca Clarke worked in the string quartet medium over virtually the whole of her long life, either as a performer, a composer, or a teacher. The two movements published here are Clarke's only known...

This attractive and concise setting of the Mass (without Creed) has flexible scoring, being for 2-part choir (upper and lower voices), or SATB, and organ. The communion motet Tantum ergo is also for 2...

There is also a version for organ.

Partially based on a plainsong melody, this peaceful setting of the Latin hymn text features sonorous harmonies, subtle time changes, and fluid choral homophony, with a beautiful soprano solo that flo...

With plenty of excitement and anticipation, this exuberant carol sets a medieval macronic text, featuring changing metres and a driving piano part. Also available in a version for solo low voice.

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that tell how the power of song can overcome dark times. The composer brings this powerful text...

A setting of specially-written texts by children, the subject matter is the sun, the moon, and the stars. The songs are linked by spoken narration, resulting in a rich and vivid tapestry. Orchestral m...

Ralph Waldo Emerson's secular text concerning music's omnipresence ('But in the darkest, meanest things there always something sings') is set with affecting and arresting simplicity.

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

A medieval English carol for solo baritone and unaccompanied ATBarB. The setting is full of gentle hemiola and canonic effects, and makes much use of parallel sixths and thirds.