Mario Castelnuovo-Tedesco

In this Second Piano Quintet Op. 155 (Beverly Hills, 1951), Mario Castelnuovo-Tedesco, an exile in the United States since the racial laws, abandons himself to the wave of 'Memories of the Tuscan Coun...

L'edizione del curatore Ragossnig (fuori catalogo) è stata sostituita dall'edizione dei curatori Frédéric Zigante e Gianluca Nicolini (Edizione Max ESCHIG DURAND - DF 16456).

In the Two Sonatas for Trumpet and Piano, Mario Castelnuovo-Tedesco combines his composing mastery with didactic purposes. The two works are just as suitable to the concert hall as to music schools an...

Discover an expressive gem for the chamber music repertoire with the "Ballade per violino e pianoforte op. 107". This captivating composition unites the lyrical beauty and tonal warmth of the violin w...

The Concerto n. 3 for Violin and Piano, written in 1939 for Jascha Heifetz, was the first work by Castelnuovo-Tedesco after he went on exile to the United States. Unusually, this concerto requires a p...

Immerse yourself in the expressive and powerful sonic world of Concerto No. 2 "I Profeti". This captivating masterpiece for violin and orchestra enchants with its profound emotional depth, virtuosic b...

Immerse yourself in the fascinating world of 1920s art song: The "3 Heine-Lieder" (1926) combine Heinrich Heine's timeless, delicate poetry with an expressive musical language. This sheet music editio...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...