Marco Tamanini

In 1778 Wolfgang Amadeus Mozart composed his 'Concerto for Flute, Harp, and Orchestra in C major, KV 299'. It is one of only two true double concertos that he wrote as well as the only piece of music...

In 1778 Wolfgang Amadeus Mozart composed his 'Concerto for Flute, Harp, and Orchestra in C major, KV 299'. It is one of only two true double concertos that he wrote as well as the only piece of music...

Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...

Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...

Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, the composer conducted the orchestra of...

Scherzo d'apres une ballade de Goethe Paul Dukas completed The Sorcerer's Apprentice in the spring of 1897, and it was performed for the first time on May 18 of that year in Paris. On that occasion, t...

Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

La Gioconda è un'opera in quattro atti di Amilcare Ponchielli su libretto italiano di Arrigo Boito, tratto da "Angelo, tyran de Padoue", opera in prose di Victor Hugo del 1835. Rappresentata per la pr...

La Gioconda è un'opera in quattro atti di Amilcare Ponchielli su libretto italiano di Arrigo Boito, tratto da "Angelo, tyran de Padoue", opera in prose di Victor Hugo del 1835. Rappresentata per la pr...

Pezzo finalista (Cat. A) al 6° Concorso Internazionale di Composizione per Marce 'Città di Allumiere'.

Il titolo "Godere", ma anche assaporare, gustare: questa non è musica descrittiva, ma musica da apprezzare. Da tre punti di vista: il ritmo del primo movimento, la melodia del secondo e lo swing del t...