Johanna Senfter

Johanna Senfter erhielt mit 29 Jahren, 1908, Theorie- und Kompositionsunterricht bei Max Reger. Obwohl sie noch relativ unbekannt ist, wird sie immer mehr entdeckt, denn ihre Stücke eignen sich wegen...

Johanna Senfter erhielt mit 29 Jahren, 1908, Theorie- und Kompositionsunterricht bei Max Reger. Obwohl sie noch relativ unbekannt ist, wird sie immer mehr entdeckt, denn ihre Stücke eignen sich wegen...

With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...

The composer and violinist Johanna Senfter from Oppenheim wrote concert works, such as chamber music works for violin, her whole life. Being a pupil of Reger, who held her in high esteem, she composed...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

La biografia della timida e solitaria compositrice Johanna Senfter non è caratterizzata da eventi o episodi particolari. Nata il 27 novembre 1879 a Oppenheim sul Reno, la sua casa di Sparrhof rimase l...

In her music, the composer Johanna Senfter, student of Max Reger in Leipzig, devoted herself entirely to the late Romanticism. While her music had been regarded as old-fashioned for a long time, the p...

On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conserv...

Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two cap...

Johann Senfter (1879 -1961) wrote three sonatas for Viola solo; modelled on the Solo Sonatas of Max Reger, who was Senfter's teacher of composition in 1908/09 in Leipzig.

This character piece is still firmly rooted in the Romantic tradition of descriptive musical imagery. An early work, its formal structure is characterised by onglike thematic phrases, softly flowing m...

The number of well-known clarinet quintets is quite small. The only major composers whose clarinet quintets are relatively widespread are Mozart, Brahms, Weber and Reger.The composer Johanna Senfter (...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

Johanna Senfter studied music at the Conservatoire in Frankfurt and then in 1908/9 with Max Reger at the Leipzig Conservatoire. Her late Romantic music draws inspiration from the polyphonic structure...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...

Il mottetto di grande scala Die Nacht ist vorgerücken per coro a cappella misto a 4-8 voci, composto da Johanna Senfter, appare qui per la prima volta in stampa. Sebbene il mottetto sia esteriormente...

Il grande mottetto Die Nacht ist vorgerückt per coro misto da 4 a 8 parti a cappella composto da Johanna Senfter, appare qui in stampa per la prima volta. Sebbene il mottetto segua la tradizione dei m...

I 9 Lieder op. 15, della compositrice Johanna Senfter di Oppenheim, sono stati composti probabilmente intorno al 1913, dato che in questo periodo è stata scritta anche la Passacaglia per due pianofort...

I 9 Lieder op. 15, della compositrice Johanna Senfter di Oppenheim, sono stati composti probabilmente intorno al 1913, dato che in questo periodo è stata scritta anche la Passacaglia per due pianofort...

I Lieder op. 53 comprendevano originariamente altri due brani che non sono stati trasmessi. A causa dei problemi di trasmissione, è difficile datare l'opera, ma il linguaggio musicale più individuale,...

I Lieder op. 53 comprendevano originariamente altri due brani che non sono stati trasmessi. A causa dei problemi di trasmissione, è difficile datare l'opera, ma il linguaggio musicale più individuale,...

Il mottetto For Who Knows What Is Useful to Man in Life op. 18/2 della compositrice Johanna Senfter appare qui per la prima volta in stampa. Dopo un'introduzione caratterizzata da cromatismo espressiv...