Ira Gershwin

Utilizzando uno stile di punteggio basato sull'ensemble, gamme modeste e armonie ricche, Rick Stitzel ci porta un arrangiamento di grande effetto di questo brano preferito di Gershwin per giovani band...

A differenza della ballata originale ascoltata nell'opera Porgy and Bess e cantata da un soprano alto, qui si tratta di una facile interpretazione swing e collocata in una tonalità comoda per le voci...

But Not for Me' from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, a...

Questa classica canzone americana tratta da Porgy and Bess merita solo il miglior trattamento corale, e Mark Hayes glielo ha certamente riservato, con un'ambientazione ricca e lussureggiante. L'accomp...

This classic American song from Porgy and Bess deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voi...

This classic American song from Porgy and Bess deserves only the finest choral treatment, and Mark Hayes has certainly given it that, with a rich, lush setting. The piano accompaniment carries the voi...

This is a contemporary and funky-ballad treatment of this classic vocal. The key is D minor, the vocal range is A below middle C to 2nd space A. The instrumental parts are very reachable with lead tru...

From the Count Basie library, this classic flag-waver from the pen of Sammy Nestico is available again! A true tour de force for every section of the band, this monster chart features blistering brass...

Questo schema è stato trascritto e adattato dall'arrangiamento originale di Nelson Riddle scritto per l'album Gershwin Songbook di Ella. Abbiamo rimosso le linee d'archi e scritto lo schema per una fo...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

One of the classic songs from Gershwin's Porgy and Bess! Stylistically based on the famous collaboration of Miles Davis and Gil Evans, this powerful arrangement by Mike Tomaro set in a medium swing st...

But Not for Me' from Girl Crazy is a superb vocal with a big band chart on a great standard. Features include a vocal range from B-flat below middle C to third space C, lead trumpet range to A-flat, a...

Un fantastico brano di Gershwin per la voce femminile. La gamma vocale va dal sol sotto il do centrale al si bemolle in terza linea. L'estensione della tromba solista è fino al si bemolle acuto. Quest...

First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively...

Challenging harmonies and rhythmic passages have helped make this vocal jazz setting of the Gershwin standard a favorite.

Alfred is pleased to present the Broadway's Best series. The best songs from the best shows are arranged for Easy Piano by Alfred's skilled arrangers. Each book includes lyrics and a synopsis of the s...

Let's Call The Whole Thing Off, composed by George Gershwin and arranged for flute solo in digital sheet music format.

Someone To Watch Over Me, composed by George Gershwin and arranged for flute solo in digital sheet music format.

No one but Mark Hayes could take this Gershwin masterpiece and make it into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than you can count in t...

Now available S.S.A.A. and T.T.B.B. One of the most charming songs from the great era of American popular song. 'The way you wear your hat, the way you sip your tea ... no, no, they can't take that aw...

This Gershwin® classic from Porgy and Bess truly comes to life in this exceptional new choral arrangement by Russell Robinson. While it is not without its challenges, this Broadway concert piece is we...

Sam And Delilah written by George Gershwin with words by Ira Gershwin, as performed by Sarah Vaughan in the key of C Major arranged for voice and piano.

Let's Call The Whole Thing Off, composed by George Gershwin and arranged for clarinet solo in digital sheet music format.