Henri Vieuxtemps

L'opera impetuosa e maniaco-depressiva, che a tratti non rinnega il suo grande modello Beethoven, è adatta a far sentire di nuovo a casa sui podi l'eredità cameristica del grande violinista.

L'impeto impetuoso che attraversa l'opera e la brillante strumentazione entrano in simbiosi con il perfetto modellamento armonico-melodico, culminando nel corale finale.

Modificato dopo la prima stampa.

Henri Vieuxtemps wrote in 1880 'In any case, I' ve already written my funeral march, it exists!' Whether this refers to the sketches preserved in the Royal Library of Belgium entitled Marche funèbre....

On a tour of America in 1833 and 1834, the Franco/Flemish violin virtuoso Henri Vieuxtemps heard Yankee Doodle. On returning to Europe, he produced the violin and piano barnburner that was the inspira...

On a tour of America in 1833 and 1834, the Franco/Flemish violin virtuoso Henri Vieuxtemps heard Yankee Doodle. On returning to Europe, he produced the violin and piano barnburner that was the inspira...

Henri Vieuxtemps began composing at the age of eight, initially in rather improvisatory manner on the violin. In the Air varié No. 3, presented here for the first time in print, which was composed in...

Le Airs variés n. 6 e 7 del giovane Henri Vieuxtemps, qui pubblicate per la prima volta, segnano un significativo passo avanti nello sviluppo del talentuoso compositore. Con queste opere, egli riuscì...

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Vieuxtemp's Concerto No. 5 is clearly printed with a helpfulkey of unus...

Der renommierte Violinvirtuose Zakhar Bron, der mit unzähligen Auszeichnungen geehrt wurde und dessen Schüler (u. a. Vadim Repin, Maxim Vengerov, Erik Schumann, Mayuko Kamino) selber regelmäßig unter...