György Kurtág

Three old inscriptions, Op. 25 to a Hungarian folk text, words on a Transylvanian mangle and the epitaph of a young German girl in a Hungarian village cemetery, for soprano and piano (in Hungarian and...

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over i...

The 7th volume of Kurtág's outstanding piano miniatures includes 34 of his personal musical notes, messages composed between 1994 and 2002. Just as in the case of the earlier volumes Kurtág dedicates...

The piano series entitled Games, written from 1973 onwards, was conceived originally as a piano method. Its early volumes introduced children to the basic elements in piano-playing and musical thinkin...

The two piano pieces were inspired by a statue which can be seen in the Egyptian Collection of the Louvre in Paris. The full-length portrait of the couple holding hands was carved in wood by the unkno...

In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who was his student in earlier years and who, throughout his entire life...

In the autumn of 1974 György Kurtág began to copy selected pieces from the series Games into a music notebook for Zoltán Kocsis who was his student in earlier years and who, throughout his entire life...

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over i...

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over i...

It was the Paris premiere in 1981 of Messages of the Late R. V. Troussova that brought the world's attention to the music of György Kurtág (born 1926). The spectrum of these feminine poems in Russian...

I wanted for musicians to not be able to discuss how bad the music was during rehearsals, ' said György Kurtág (* 1926) at his own expense in reference to his works, which call for the use of orchestr...

For the performance of the work three playing scores are needed. The enclosed parts are incomplete, and serve only to help the page turning. (BMC CD 048)

The original version of the piece, Message to Frances Marie, op. 31a was composed for cello solo with two bows for the American cellist Frances Marie Uitti. The subtitle refers to the title of a compo...

The work was composed in 1992 for the 85th birthday of Kurtág's teacher, Sándor Veress. The ensemble of instruments is unusual: two basset horns and two quarter-tone pianos (the well-known predecessor...

The first performance of György Kurtág's song-cycle written to poems by Anna Akhmatova took place on January 3rd, 2009, in the Carnegie Hall, New York. In this work it is evidence of the exceptionally...

The work was written for the Piccoli Archi Youth Ensemble in Ny regyháza and its conductor Nándor Tóth for the 20th anniversary of the ensemble. At the festive concert on 23 October 2004 the short pie...

nach Gedichten von István Bálint

The six-movement composition written in 1959 is Kurtág's opus no. 1. It emerged after the composer's study tour to Paris which brought about his rethinking of the process of composition and the discar...