Graham Collier

Like the 1939 Paul Klee painting which inspired it, Blue-Bird Pumpkin is a quirky, non-too-serious piece. The solos are 'open' (no pre-determined number of bars) but should be short. It is not necessa...

Inspired by Jackson Pollock paintings from 1947.You do not enter a painting of Pollock's in any one place (or hundred places). Anywhere is Everywhere and you can dip in and out when and where you can....

From 'Memories Arrested In Space'.Six compositions for Sax Quartet inspired by Jackson Pollock paintings from 1947. Commissioned and recorded by QuadroSax of Switzerland. This modern excursion with im...

From 'Memories Arrested In Space'.Six compositions for Sax Quartet inspired by Jackson Pollock paintings from 1947. Commissioned and recorded by QuadroSax of Switzerland. This modern excursion with im...

Inspired by Jackson Pollock paintings from 1947.'The background of grays and red-browns have an unapologetic emptiness, like a glimpse into deep space'(T J Clark in Farewell to an Idea)

Inspired by Jackson Pollock paintings from 1947. 'Pollock's genius [was that] instead of colour he hit on the abstract sense of light. (Philip Pavia quoted in Such Desperate Joy)

Inspired by Jackson Pollock paintings from 1947.This he also meant to me, the beauty of space (Robert Motherwell quoted in Such Desperate Joy)

A slow moving piece, inspired by a 1931 Paul Klee painting.

Inspired by Paul Klee's 1918 painting Submerged Landscape and Blue Gouache the composition is very slow moving throughout and should have a hushed, veiled atmosphere.

Inspired by a 1938 Paul Klee painting this is a very fast piece with a great deal of precision and internal swing feel.