Giovanni Pierluigi da Palestrina

One of Palestrina's most famous motets, this is a beautifully reflective anthem with Leavitt's editorial markings enhancing the musicality of the work. Available for SATB a cappella. Performance Time:...

(Palestrina/Henson) SATB

Adoramus Te or We Adore Thee is a motet for SATB choir a cappella.

For SATB Choir A Cappella.

Short Gloria for double SATB choir. Edited by Frank Damrosch.

Christmas Motet for Double Chorus A Cappella.

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

For SATB double choir unaccompanied.

A joyful choral work that ebbs and flows, brought to a close by a lilting unity of voices.

This work builds up from just a few voices into a chorus of joyous celebration of the three miracles of the Epiphany: the Magi being led to Jesus' birth, water being changed into wine, and Jesus' bapt...

Evocative and moving polyphony paired with a text meditating man's relationship with God.

Evocative and moving polyphony paired with a text meditating man's relationship with God.

A surging choral work with distinct punctuated vocal lines, often with a leading tenor part.

This famous text is set to richly textured music filled with graceful melodic shapes.

A rousing celebration of Christ's ascension to Heaven featuring fantastic runs of notes shared between the voices.

Fresh, crisp and full of life, this work is the perfect setting for the jubilant words recounting the descent of the Holy Spirit upon the Apostles.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

This work by Palestrina is both deeply reflective and notable for its warm mellifluous texture that ponders on series of long, held notes.

Giovanni Palestrina's Missa Brevis for four unaccompanied voices, has been edited and arranged for modern usage, by Henry Washington. This edition also contains a piano reduction for practice purposes...