Georg Friedrich Händel

Featuring a new contemporary text, this setting of a work by Handel is part of the Stephen Roddy Classics Series.

This sweet, simple octavo from Handel's Rodelinda works well for a children's choir. It is a secular Baroque classic singing the praises of music. From our Jean Ashworth Bartle Choral series

The first performance of Messiah took place at the New Music Hall in Dublin on April 13, 1742. It was received with huge acclaim, the Dublin Journal proclaiming that 'Messiah was allowed by the greate...

Sopran, Mezzosopran, Alt (Chorstimme) 1, Alt (Chorstimme) 2, Tenor, Bass (Chorstimme), Klavier - Klavierauszug, Urtextausgabe V o k a l m u s i k - Bühnenwerke - Oper

Opera in tre atti - Soprano solo (2), Mezzo-soprano solo, Contralto solo, Tenore solo, Basso solo, Coro, Orchestra - Riduzione per pianoforte; edizione integrale; edizione Urtext V o c a l m u s i c o...

The hip contemporary approach to the Messiah created by Quincy Jones in the early '90s remains popular today. Teena Chinn captures all the original drive and excitement in this new choral setting. Uti...

Handel's Hallelujah chorus arranged as a two-part song for SA and piano by Henry Geehl.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, edited by Henry Geehl, for 2-part upper voices.

Soprano Recitative, Two-part Women's Chorus, and Piano.