Georg Friedrich Händel

Trompete und Klavier

Trompete und Orgel

This grade 4 George Frederic Handel excerpt is from his 1746 oratorio 'Judas Maccabaeus', which was commission by Frederic, Prince of Wales, to celebrate the return of the Duke of Cumberland from Scot...

This grade 4 George Frederic Handel excerpt is from his 1746 oratorio 'Judas Maccabaeus', which was commission by Frederic, Prince of Wales, to celebrate the return of the Duke of Cumberland from Scot...

Un anno dopo aver completato il "Messiah", Handel ottenne un altro trionfo con l'oratorio "Samson" del 1743. La famosa aria di Harapha dal "Sansone" è qui presentata per un solista di grado 4 con acco...

From the collection Solo Time for Violin Book 3, this Baroque presto is adapted from the last movement of Handel's Keyboard Suite No. 3 and arranged in the style of a violin concerto movement, with 't...

Gavotte arranged by Mary Cohen for violin and piano accompaniment, taken from Superstart Violin Level 2.

arranged for violin(s) or viola(s), and piano

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.

It is believed this cantata was written for Senesino when he arrived in England in 1720, however this volume was not complete until 1722.

The autograph would seem to identify this work as having an English provenance; corroborated by the lack of key signature in the recitative and highly embellished melodic style..

The style of this cantata points to an Italian provenance, due to the survival of a copy in an Italian manuscript.