Gavin Bryars
Quest'opera corale a 24 voci, di grandi dimensioni, è costituita da brani tratti dal saggio di Thomas de Quincey, un testo straordinario la cui paternità è ambigua, ma che ha, per me, qualcosa dell'au...
Quest'opera corale a 24 voci, di grandi dimensioni, è costituita da brani tratti dal saggio di Thomas de Quincey, un testo straordinario la cui paternità è ambigua, ma che ha, per me, qualcosa dell'au...
- coro misto (SSAATTBB)
- partitura corale
- Schott Musik
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The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised...
The score and performing material of Jesus' Blood Never Failed Me Yet published by Schott comprises everything that is sanctioned for performance or recording. The use of an obligato voice, improvised...
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Unaccompanied Chorus SATBarB
Unaccompanied Chorus SATBarB
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- partitura corale
- Schott Musik
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'Laude' were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' first volume of...
'Laude' were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars' first volume of...
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Chorpartitur inkl. Klavierstimme für Probezwecke
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Gavin Bryars has written prolifically for choirs of all abilities in a range of styles, from his sombre 'Cadman Requiem' to his uplifting song 'The Open Road', written for and performed by 300 people...
Gavin Bryars has written prolifically for choirs of all abilities in a range of styles, from his sombre 'Cadman Requiem' to his uplifting song 'The Open Road', written for and performed by 300 people...
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- partitura corale
- Schott Musik
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Quest'opera corale a 24 voci, di grandi dimensioni, è costituita da brani tratti dal saggio di Thomas de Quincey, un testo straordinario la cui paternità è ambigua, ma che ha, per me, qualcosa dell'au...
Quest'opera corale a 24 voci, di grandi dimensioni, è costituita da brani tratti dal saggio di Thomas de Quincey, un testo straordinario la cui paternità è ambigua, ma che ha, per me, qualcosa dell'au...
- coro misto (SSAATTBB)
- partitura corale per scaricare
- Schott Musik
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Oper in 2 Akten nach einer Novelle von Jules Verne
Oper in 2 Akten nach einer Novelle von Jules Verne
- solisti, coro e pianoforte
- riduzione per pianoforte
- Schott Musik
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Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at...
Glorious Hill may be performed by a male choir.Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate.Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at...
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- partitura
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This piece was written in 1997 for unaccompanied voices after the choral piece 'On Photography' for the Hilliard Ensemble and is dedicated to them.Expressa Solis may also be performed by male choir.
This piece was written in 1997 for unaccompanied voices after the choral piece 'On Photography' for the Hilliard Ensemble and is dedicated to them.Expressa Solis may also be performed by male choir.
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- Schott Musik
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These Madrigals were written especially for the Hilliard Ensemble with who Gavin Bryars has worked for many years. The texts are by the poet and writer Blake Morrison.
These Madrigals were written especially for the Hilliard Ensemble with who Gavin Bryars has worked for many years. The texts are by the poet and writer Blake Morrison.
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Commissioned by the York Early Music Foundation for the Orlando Consort, Super Flumina focuses on a legend associated with St Mary's Abbey in York where in 1377 fisherman brought the lifeless body of...
Commissioned by the York Early Music Foundation for the Orlando Consort, Super Flumina focuses on a legend associated with St Mary's Abbey in York where in 1377 fisherman brought the lifeless body of...
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- Schott Musik
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My collection of laude has its origins in the world of early music, being based in spirit and feeling on the unaccompanied vocal 'laude' found in a collection from 13th century Cortona. The people who...
My collection of laude has its origins in the world of early music, being based in spirit and feeling on the unaccompanied vocal 'laude' found in a collection from 13th century Cortona. The people who...
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- Schott Musik
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The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
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The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
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- Schott Musik
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The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
The works in these three volumes for eight-part male choir are settings of sonnets by late Scottish Poet Laureate, Edwin Morgan (1920-2010). An admirer of Morgan's virtuosic poetry, Bryars wrote Silva...
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- partitura corale
- Schott Musik
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Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I...
Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I...
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- spartiti
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The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti...
The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti...
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- 2 Chitarre classiche
- spartiti
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Originally for solo cello, 'Tre Laude Dolçe' is characterised by long phrases and open structures; a beautiful work perfect for any good bassist.
Originally for solo cello, 'Tre Laude Dolçe' is characterised by long phrases and open structures; a beautiful work perfect for any good bassist.
- contrabbasso
- spartiti
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- violoncello e orchestra
- riduzione per pianoforte con solo/i
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This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...
This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...
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- Gavin Bryars
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String Quartet No. 1 ('Between the National and the Bristol') was commissioned by the Vienna Festival for the Arditti Quartet to perform in October 1985. '... a great deal of the music is in the high...
String Quartet No. 1 ('Between the National and the Bristol') was commissioned by the Vienna Festival for the Arditti Quartet to perform in October 1985. '... a great deal of the music is in the high...
- Quintetto d'Archi
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String Quartet No. 2 was written in 1990 commissioned by the Huddersfield Festival and the Balanescu Quartet.'This second quartet is a more relaxed, easy-going piece than the first
String Quartet No. 2 was written in 1990 commissioned by the Huddersfield Festival and the Balanescu Quartet.'This second quartet is a more relaxed, easy-going piece than the first
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Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which find...
Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which find...
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