Cole Porter

A swing tempo at around 160 BPM, the melody is stated by alto 1, trumpet 1 and trombone 1, add some ensemble counterpoint, some solo space (written) for trumpet 2 and 'bone 1 and you have all the righ...

This Aric Schneller arrangement is a burnin' swing chart of a Cole Porter jazz standard. Great energy is created with the 180 BPM tempo, the solo space for alto 1, and a fierce unison horn interlude....

This Aric Schneller arrangement is a burnin' swing chart of a Cole Porter jazz standard. Great energy is created with the 180 BPM tempo, the solo space for alto 1, and a fierce unison horn interlude....

Check out this easy-going chart that swings at 132 BPM. This great Cole Porter standard is arranged with written tenor, trumpet, and alto solos with an alto cadenza. The lead trumpet range is to writt...

Check out this easy-going chart that swings at 132 BPM. This great Cole Porter standard is arranged with written tenor, trumpet, and alto solos with an alto cadenza. The lead trumpet range is to writt...

A swinger on a great jazz standard. Played around 160 BPM, this chart is packed with solis for all sections, especially saxes. Lead trumpet range is to written G on top of the staff. Then, add suggest...

Sammy features the saxophones in this medium swing arrangement of the Cole Porter standard. Wonderful ensemble writing. No solos required.

Check out Alan Baylock, one of the finest writers on the scene today. Alan's hip chart for Cole Porter's Love for Sale starts off with bari, bass trombone, and bass handling the melody and it goes upw...

As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin's Big Phat Band. Originally written for vocal group Take 6 and the Big Phat Band, the chart was re-orchestrated for...

As recorded on the Silverline Records album XXL (CD and DVD Audio) by Gordon Goodwin's Big Phat Band. Originally written for vocal group Take 6 and the Big Phat Band, the chart was re-orchestrated for...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

This swingin' vocal chart with jazz ensemble is written in two keys. The high key (male) is E-flat with the range from middle C to top line F treble clef. The low key (female) is B-flat with the range...

Ecco la trascrizione di Jon Harpin di "Just One Of Those Things", primo brano dell'album "Swing Easy" del 1954, il primo album Capitol con gli arrangiamenti di Nelson Riddle. Una caratteristica di que...

Ecco una rivisitazione molto diversa di Night and Day di Cole Porter. Questo brano di Ted Heath (Vocalion CDLK 4228) presenta la batteria, la sezione delle trombe e due tromboni. La sezione di trombe...

Ecco la nostra trascrizione della versione di Anita O'Day di "I Love You" di Cole Porter. L'arrangiamento originale è di Billy May, dall'album "Anita O'Day Swings Cole Porter with Billy May" del 1959....

Trascritto dall'album Cole Porter Songbook di Ella, questo schema presenta solo le sezioni vocale, ritmica e tromboniera. I sassofoni e le trombe non sono presenti in questo brano. Tutte le figure di...

Bill Holman's arrangement, from the Maynard Ferguson Band Boy With Lots Of Brass recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectrum...

Bill Holman's arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' recording, is a wonderful medium-swing tune with solo space for piano, alto, and trumpet. This chart spans the spectr...

This Al Cohn arrangement, from the Maynard Ferguson Band 'Boy With Lots Of Brass' CD, is a wonderful medium-swing tune. This chart is loaded with Al's supreme musical taste and sense of humor. There i...

As recorded by the Stan Kenton Orchestra on Adventures In Standards, this is a medium-swing chart on a great tune. Lennie uses a neat vamp in the trombones to offset the melody in the saxes. The full...

This was recorded by the Stan Kenton Orchestra on Back To Balboa, and it is a highly original, exciting chart (latin/swing) on a great standard tune. Johnny Richards wrote for Kenton as well as anyone...

This may be the all-time greatest jazz arrangement of a standard tune. Recorded on the Contemporary Concepts LP, this great standard is turned into a marvelous vehicle for solo statements from alto, t...

When Lennie arranged for the Stan Kenton Orchestra, he was able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for trombone. Recorde...

Originalarrangement von der CD 'That's My Band - Swing it! Vol. 3'