Christopher Hogwood

Of all the leading composers of the 18th century, only Francesco Geminiani (1687-1762) is lacking a complete critical edition of his music and writings. Although held to be the equal of Corelli in his...

La nuova edizione di Christopher Hogwood della popolare Serenata di Elgar è la prima edizione critico-scientifica di quest'opera. Come per altre composizioni di Elgar, le precedenti edizioni della Ser...

The publication of a collection of 12 concertos for one to four solo violins by Antonio Vivaldi in Amsterdam in 1711 laid the foundations for the fame of the Italian composer in the whole of Europe. T...

Arcangelo Corelli, der Violinvirtuose seiner Zeit, veröffentlichte seine 'Sonaten für Violine und Basso continuo Opus V' 1700 in Rom. Die Sonaten sind gleichsam ein Kompendium des Geigenspiels zu Core...

Arcangelo Corelli, der Violinvirtuose seiner Zeit, veröffentlichte seine 'Sonaten für Violine und Basso continuo Opus V' 1700 in Rom. Die Sonaten sind gleichsam ein Kompendium des Geigenspiels zu Core...

The 12 violin concertos Op. 3 L'Estro Armonico laid the foundations of Antonio Vivaldi's fame in the whole of Europe and are still among the most popular works by the Italian composer. The Double Conc...

Flöte 1, Flöte 2, Oboe 1, Oboe 2, Klarinette in b 1, Klarinette in b 2, Fagott 1, Fagott 2, Horn 1, Horn 2, Trompete 1, Trompete 2, Pauke, Streicher - Partitur; Urtextausgabe

Like so many of his compatriots, the Czech-born Vaclav Pichl spent much of his working life in Vienna (where the Empress Maria Theresa, preferred him to Mozart), but with a period working for Dittersd...

This second volume in the series of his Op. 13 quartets exploits each instrument equally - even the viola is allocated elaborate solo passages - and offers an attractive alternative (as Haydn realised...

Haydn's first set of Lieder, adapted for the English market by William Shield, who was to become his close friend, were an instant commercial success, with the most popular of them re-issued separatel...

Muzio Clementi, who was rather more magnanimous in his praise of Mozart than Mozart was of him --'Until then I had never heard anyone perform with such grace and elegance' -- towards the end of his li...