Camille Saint-Saëns

This Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contrast make them terrific choices for...

This standard horn solo has been cleverly adapted as a horn feature within a brass quintet. The horn line remains true to the original with the remainder of the ensemble covering the string parts. It...

Danse Macabre (Dance of Death) was inspired by a poem of Henri Cazalis: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his vi...

Cavatine (Op. 144) for Trombone and Piano was published in 1915. It is the only work for solo trombone that Saint-Saens wrote but it shows that he had a remarkable feel for the capabilities of the ins...

Adapted in 1988 by tubist Karl Kramer during his days with The Brass Ring, each member of the quintet is showcased in one of the five movements -- trumpet in March Of The Royal Lion, French horn in Sw...

Experience one of the most charming and humorous classics in music history, brilliantly arranged for brass! With "L'Éléphant" from Camille Saint-Saëns' famous suite "The Carnival of the Animals", Trio...

From Le Carnaval Des Animaux, 1886. Edited for cello or viola and piano by Robin De Smet.

The Cello Concerto No. 1 in A minor, Op. 33, stands as one of the most brilliant and beloved masterworks of the Romantic cello repertoire. Filled with captivating passion, lyrical cantilenas, and dazz...

One of the most beautiful pieces of Romantic cello literature - edited and fingered by the well-known cellist Prof. Maria Kliegel.

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...

Soon after its composition in 1886, Camille Saint-Saëns asked Auguste Durand that Le Carnaval des animaux, which he thought of as a parodic fantasia, should only appear in print posthumously. He proba...

For cello or bass and piano.

Immerse yourself in a world of poignant musical poetry with "Prière Op. 158", published by the prestigious Editions Durand. This deeply moving work for cello and organ captivates listeners with its in...

This is a transcription for cello and guitar of the masterpiece of the French romantic composer which will probably prove to be a rewarding piece for performance for young music pupils. The work appea...

L'"Introduction et Rondo capriccioso" di Camille Saint-Saëns è spesso usata come sostituto degli studi, ma è un pezzo di carattere profondo. Le cantilene con denominazioni come "Andante malincolico" =...

Un movimento dolce, leggero e simile a un valzer (Andantino) dalla Suite per violoncello e pianoforte del compositore.

The Julian Lloyd Webber performing edition series continues with Saint-Saëns Concerto No 1 in A minor. Also included is the Allegro Appassionato Op. 43 and The Swan.

Discover a true masterpiece of the repertoire for woodwind and keyboard: The "Sonata op. 168" for bassoon and piano, published by the renowned Schott Musik, captivates with its tonal elegance, melodic...

Dopo una disastrosa tournée concertistica in Germania nel 1885-86, Camille Saint-Saëns (1835-1921) si ritirò in un piccolo villaggio austriaco, dove nel febbraio 1886 compose IL CARNEVALE DEGLI ANIMAL...