Camille Saint-Saëns

Il Morceau fu originariamente composto per corno francese e pianoforte per gli esami del Conservatorio di Parigi. Saint-Saens compose diversi pezzi a questo scopo, tra cui una bella Cavatina per tromb...

This piece was originally written by Saint-Saens in 1893 for the Horn. The work is technically demanding: however optional cuts and ossia notes make this piece more accessible to less experienced play...

Johan van der Linden maakte een prachtig arrangement van dit orgelwerk van Saint-Saens.

Piano Trio (opt. Parts for 2nd Violin, Bass, Flute and Clarinet) (Romantic)

This Camille Saint-Saens transcription will definitely be a hit with grade 4 ensembles. Excellent for concert or contest programming, the energy and delightful contrast make them terrific choices for...

This standard horn solo has been cleverly adapted as a horn feature within a brass quintet. The horn line remains true to the original with the remainder of the ensemble covering the string parts. It...

Danse Macabre (Dance of Death) was inspired by a poem of Henri Cazalis: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his vi...

Cavatine (Op. 144) for Trombone and Piano was published in 1915. It is the only work for solo trombone that Saint-Saens wrote but it shows that he had a remarkable feel for the capabilities of the ins...

Adapted in 1988 by tubist Karl Kramer during his days with The Brass Ring, each member of the quintet is showcased in one of the five movements -- trumpet in March Of The Royal Lion, French horn in Sw...

aus 'Der Karneval der Tiere'

From Le Carnaval Des Animaux, 1886. Edited for cello or viola and piano by Robin De Smet.

One of the most beautiful pieces of Romantic cello literature - edited and fingered by the well-known cellist Prof. Maria Kliegel.

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...