Arthur Bliss

Una raccolta di brani degli esordi e da tempo fuori catalogo, pubblicata in collaborazione con il Bliss Trust in occasione del 50° anniversario della morte del compositore. La prefazione è a cura di G...

Una raccolta di brani giovanili, pubblicata in collaborazione con il Bliss Trust in occasione del 50° anniversario della morte del compositore. Prefazione di Giles Easterbrook, instancabile sostenitor...

Prima pubblicazione di un movimento di sonata non catalogato dal compositore, ma da lui conservato per quasi 60 anni. A cura di Rupert Marshall-Luck e pubblicato in collaborazione con il Bliss Trust i...

Studienpartitur der Neufassung 1965

Parts for Arthur Bliss's Quintet For Clarinet And String Quartet. Duration 26 minutes. Composed 1932.

Arthur Bliss's first orchestral compositions, his studies for Full Orchestra, are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2...

Arthur Bliss, Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano, the other is unpublished. 'Pastoral'is composed for either clarinet in A or Bfla...

March From The London Film Production 'Things To Come' composed by Arthur Bliss, arranged for piano solo.

The second of Two Ballads by Arthur Bliss - Flowers In The Valley was commissioned by the Isle Of Man Arts Council for the school children of the island. This accessible and enchanting setting of a te...

Written in 1927.

For flute, oboe, violin, viola and cello.

Instrumentation: Oboe, Two Violins, Viola and Violoncello

The Beatitudes' is a cantata by Arthur Bliss, scored for Soprano and Tenor soloists, SATB Chorus and Orchestra. This is the full score, a full performance of which lasts around 50 minutes. The work w...

Urtext di un movimento di sonata non catalogato dal compositore, ma da lui conservato per quasi 60 anni. A cura di Rupert Marshall-Luck e pubblicato in collaborazione con il Bliss Trust in occasione d...

Overture Edinburgh was composed in 1952. There are certain elements in this work that bind it to the city of Edinburgh. The opening carries the rhythm of the word 'Edinburgh' itself. This rhythm occur...