Andreas Friesenhagen

La "Missa Cellensis", composta nel 1782, è meglio conosciuta come "Messa di Mariazell", con riferimento al luogo di pellegrinaggio di Mariazell in Stiria, dove fu eseguita. La revisione del volume com...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

In den Jahren 1800-1804 bearbeitete Haydn im Auftrag schottischer Volksliedsammler an die 400 Originalmelodien schottischer und walisischer Volkslieder für 1-2 Singstimmen und Klaviertrio. In Zusammen...

Londra, con la sua vivace scena musicale, fu sempre un ambiente grato ad Haydn, e il flauto era uno degli strumenti più popolari nei circoli musicali inglesi dell'epoca. Il conte di Abingdon, abile fl...

Molto meno noti dei "Trii di Londra" sono questi sei deliziosi divertimenti, le prime opere di musica da camera di Haydn in cui viene utilizzato esplicitamente il flauto. Poco complicati e pieni di ar...

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

> Based on the Henle Complete Edition of the 'Works of Joseph Haydn' > Orchestral parts in a large format (25.5 x 32.5 cm) Like its companions Nos. 90 and 91, Haydn's Symphony No. 92 in G major was wr...

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

Urtext aus/from: Joseph Haydn Werke, G. Henle Verlag München

This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...

This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...

This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...