Spartiti per violoncello

Who does not remember the humorous stories by Wilhelm Busch from childhood days? Or, worse even, has not met 'hostile neighbours' once in his/her life as a musician? With subtle irony, Wilfried Hiller...

Mustonen belongs to the young generation of composing piano virtuosos. What is remarkable is that 'his instrument' is not placed in the foreground of his works. He rather composed pieces for strings,...

David Popper (1843-1913), a pupil of Julius Goltermann, was not only a much-travelled and successful concert cellist. Like many of his virtuoso fellow musicians, he left a number of compositions for h...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

This little work was composed at the suggestion of the Belgian organist Jef Anseeuw who performed the world premiere at the Heilig-Hart Kerk in Izegem on 25 September 1982 together with Lieven Vanderw...

To write new music for music lessons is the special concern of the composer Barbara Heller. This cycle was created in collaboration with two cello teachers. It consists of 7 pieces in common notation...

Deep Slavic emotions and gripping virtuosity - that's what characterizes many compositions by Rodion Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheles...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

The edition contains, in addition to the newly edited score by Julius Berger, the complete first edition of the 12 Ricercate as a facsimile (Bologna, 1687).

Apart from the famous Rococo Variations, Pyotr I. Tchaikovsky composed another work for solo violoncello: Pezzo capriccioso, Opus 62. It is dedicated to Brandoukoff (Brandukov) with whom he had perfor...

The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...

The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...

The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...

Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...

After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...

Eduard Pütz (1911-2000) studied with Heinrich Lemacher and Hermann Schroeder at the Cologne Musikhochschule and later worked as a music teacher at the grammar school in Rheinbach near Bonn as well as...

In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...