Spartiti per violoncello

James Hook (b. Norwich, 1746; d. Boulogne, 1827), a pupil of Thomas Garland and Charles Burney, was giving prodigious concert performances at the early age of six. After his father's death (1757) he e...

Thomas Sanders Dupuis (l733 London, - 1796 London) begann sein Musikleben als Chorknabe der Kgl. Kapelle. Er ist Organist an der St. Peters Kapelle (ab 1773) und an der Kgl. Kapelle (ab 1779). In 1790...

Welcome to Polytekniks - a lively and original approach to aspects of cello technique. These versatile and entertaining duets present a variety of musical and technical challenges for the young player...

This is another volume of lively and entertaining duets, originally composed for 'cello. They are designed to encourage the development of good technique. In idioms ranging from the energetic folk mus...

30 divertenti duetti in una varietà di stili, tra cui arrangiamenti di musica classica e popolare e brani originali di Kathy e David Blackwell I duetti aumentano di difficoltà nel corso del libro, da...

Violoncelle /basson - Deux Violoncelles Ou Deux Bassons

A collection of 10 entrancing, original pieces designed for young cellists (with piano or CD accompaniment) in either a reading-based or Suzuki group lesson environment. This collection enables player...

Due brani stimolanti e adatti allo strumento, adatti sia ai principianti che ai violoncellisti avanzati, soprattutto perché possono essere eseguiti da uno a quattro violoncellisti; le numerose possibi...

Violoncello 1, Violoncello 2 - Spielpartitur

Violoncello 1, Violoncello 2 - Spielpartitur

The work Path (1987) unfolds so to say from top to bottom. The descending line is metonymic with the path through life - from birth to grave. The beginning flageolets of the cellos and the simple moti...

2 Violoncelli

2 Violoncelli

2 Violoncelli

This nocturnal duo, written in homage to Dutilleux comprises three movements, successively rhythmic, enigmatic and virtuosic. Commissioned by the association Musiques d'un Siècle. Premiered on June, 7...

Although Fillmore believed this to be one of his best marches, this piece has been forgotten and has fallen under the shadow of classics from the same compositional period such as His Honor. Endowed w...