Wolfgang Amadeus Mozart
Violin Sonatas Vol. 2
K296, K376-K380
Wolfgang Amadeus Mozart
Violin Sonatas Vol. 2
K296, K376-K380
- Formazione violino e pianoforte
- Edizione spartiti (urtext)
- Compositore Wolfgang Amadeus Mozart
- Casa Editrice Edition Peters
- Editore Cliff Eisen
- Numero d'ordine EP7579B
IVA inclusa,
Escluse le spese di spedizione
Descrizione:
This complete edition of the Mozart Sonatas for Keyboard and Violin has been researched and prepared by Cliff Eisen, one of the most distinguished Mozart scholars of our time.
Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided.
As he writes in the preface: '…the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction…it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation.
So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity.
Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes - sometimes substantial changes - in the musical text'.
It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.
Professor Eisen recognises that many of the apparent inconsistencies and idiosyncrasies of Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can be misguided.
As he writes in the preface: '…the notion that the classical style represents a model of symmetry, balanceand clarity is for the most part a 19th-century fiction…it has little to do withMozart's actual practice, which is based primarily on variety of both content and articulation.
So in this new edition, alternative readings found in parallel passages are preserved, rather than being sterilised by a spurious quest for conformity.
Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisen is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterised by changes - sometimes substantial changes - in the musical text'.
It is the achievement of this edition to indicate how far this freedom of musical expression can extend, andas such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.
I clienti hanno valutato questo prodotto:
Spartiti dal 1969
Dal 1969, oltre 500.000 clienti si fidano di noi. Con un'enorme selezione di oltre 1.000.000 di spartiti, siamo uno dei più grandi fornitori in Europa. Grazie al nostro grande magazzino possiamo spesso spedire gli spartiti entro 24 ore. Qualsiasi spartito stiate cercando: siete nel posto giusto!
La vostra Stefanie Reichert
Responsabile del servizio clienti