Spartiti per strumenti ad arco

Based on themes by Georges Bizet

10 progressiv geordnete Stücke von Goedicke, Kabalewski, Rakow und Tschalajew für Anfänger (Lagen 1 - 4 1/2) weitere Ausgabe / further edition: SIK 2315 Kleine Vortragsstücke russischer Komponisten Fü...

Bearbeitung von 'Les Quatre Violons', transponiert für 4 Celli. Spaß muss sein! 9 Arien aus der Zauberflöte wurden 1998 vom 'Les Quatre Violons' für vier Violinen bearbeitet. Mit der vorliegenden Fass...

Twenty very elementary pieces for young players written and arranged by the world's favourite string teacher Sheila Nelson. Note reading is introduced one finger at a time, building up finger pattern...

The fourth violoncello volume of the series Music for Beginners offers beginners who wish to get acquainted with camber music as well, a selection from the music literature of more than two centuries,...

Singing Cellos is a collection of a dozen miniatures, diverse in character and mood, addressed to the older classes of music primary school or the early classes of secondary music school. The titles o...

'Superduets for cello' provides a wonderful new repertoire of original and entertaining duets for beginner cellists. It can be started as soon as pupils have mastered basic playing technique. Encourag...

'Superduets for cello book 2' provides a wonderful new repertoire of original and entertaining duets for beginner cellists. It is designed to build on techniques that have been learned in 'Supeduets 1...

Rubato - Ostinato - Fugato sind die drei Sätze von Simon Laks' Dialogue für zwei Violoncelli betitelt. 1964 komponiert und 1966 von Jean und Mireille Réculard im Pariser Château de Saint Ouen uraufgef...

The work Path (1987) unfolds so to say from top to bottom. The descending line is metonymic with the path through life - from birth to grave. The beginning flageolets of the cellos and the simple moti...

String teaching material by the world's favourite string teacher Sheila Nelson. Technitunes introduce quite advanced aspects of technique, such as high positions, harmonics, rapid bowings and double s...

In these duets the well-known tune always appears as the top line. This player must hold the rhythm very steadily, so that the cellist with the lower line (which is the harder part) can play the music...