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Acknowledgments
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Introduction
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Diatonic Substitution And Upper-Structure Triads
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Diatonic Substitution: 7th Chord Arpeggios
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Parallel Modes And Diatonic Substitution
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Secondary Dominants
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Improvising Over Minor Chords
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Common Uses Of The Melodic-Minor Scale
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bII7 and V7(alt) Chords
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Diminished 7th Chords
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The Symmetrical Diminished Scale
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The Four Tonic System
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Melodic Counterpoint
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Building A Solo: Chromatic Motion And Compound Lines
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Author's Note
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About The Author
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