Cigány Könnyek (Gypsy Tears) by P. Brent Register is a work in two parts for violin and piano. The opening section, free and almost improvisatory, leads to a rhythmically charged and vibrant dance in...
An ambitious arrangements, driven by the perpetual motion of 16th notes from beginning to end, this show-stopper actually lays much better under the fingers than you might think. Regardless, it is a c...
This familiar suite (Morning Mood; Aase's Death; Anitra's Dance; In the Hall of the Mountain King) is transcribed in its entirety for Saxophone Choir and is sure to be a hit with your audience. The fi...
Thought to be Pergolesi's final composition, composed in 1736, the Stabat Mater is a very haunting and dolorous (painful) piece of music originally composed for two solo voices accompanied by strings...
Salvation is Created was one of Chesnokov's final sacred choral compositions before he was forced to only write secular music by the Soviet government. The haunting melody and harmonies have made it C...
A perennial favorite in opera houses since its premiere in 1821, Carl Maria von Weber's Der Freischutz ('The Free-Shooter') was written in collaboration with librettist Johann Friedrich Kind. A landma...
Dvorak's Serenade, Op. 44 is a large chamber work for winds in the tradition of Mozart, Beethoven, and Haydn. Completed in January of 1878, it is difficult to determine if Dvorak was then aware of the...
A masterful arrangement of this Baroque classic! The innovative scoring features a full 10-part choir on the outer movements, while utilizing a solo quartet scoring for the middle movement. Some of th...
Written during Holst's time working at the St. Paul's Girls School, this influential piece originally written for string orchestra has been beautifully transcribed for saxophone choir. Matt Johnston k...
Sergei Rachmaninoff composed this Prelude in G Minor (Op. 23, No. 5) in 1901. Although it was the first one he composed and it would be another two years before he completed the rest of the set, the r...