Johanna Senfter (1879-1961) was a pupil of Max Reger.Beginning with an expressive violin theme in a densely packed, 'Brahms-like' piano setting, the classical four-movement work centres around two cap...
The edition 'Klangblumen' by Barbara Heller (originally for piano, ED 20374) is now available for flute too.Each of the 14 pieces has a particular focus, such as a certain interval, a special playing...
In the time of travelling violin virtuosos in the 19th century, the Belgian composer Henri Vieuxtemps was regarded as one of the 'greatest', next to Paganini, Spohr, Bériot, Wieniawski and others. His...
'In an easier style, intended rather for its use at home than for concert performances', this is how Bedrich Smetana described his two 'duos' for violin and piano Aus der Heimat, written 'in a truly n...
Like Holliger's standard work Trema (a piece made up of theme, tremolo and breathing), Souvenirs tremaësques too can be played by various instruments of the string family. After the original version f...
Deep Slavic emotion and riveting virtuosity - this is what characterises many compositions by Rodion Shchedrin. Even though he has been a cosmopolitan for a long time, the Moscow-born Shchedrin has re...
The compositions published here for the first time are highly interesting, especially because they represent two creative periods: Poème lyrique was written in the 1910s and is a proof of the composer...
The Vienna-born Fritz Kreisler (1875-1962) felt at home in the coffee houses of his home town where he not only met the cultural elite of his time but also absorbed the entertainment and folk music of...
Mikis Theodorakis schrieb seine Drei Stücke für Dezember - parallel zu einem weiteren Werk für Klavier und Gesang mit dem Titel Die Kundgebung am 3. Dezember (1944) - am Jahreswechsel 1945/46. Ihr the...