This new setting of the traditional Latin text is a perfect teaching piece for women's choirs. The strong piano accompaniment combined with tender vocal lines creates much opportunity for musical expr...
This in an outstanding collection of twelve African-American spirituals arranged for upper voices. Rosephanye and William C. Powell have collaborated with some of the most talented and respected spiri...
This work is pure magic! Short rhythmic phrases, repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate...
Based on a Nigerian folk song, this exciting a cappella work features layered repetitive patterns over African percussion. Ideal for many types of programs, this flexible work can also be used as a pr...
Adapted from a Bantu folksong, this gently teasing song translates as I love you, but you do not love me. How is that? If you do not love me, you had better tell me so. Performance Time: Approx. 2:50....
The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband Willia...
Commissioned by the American Guild of Organists for their 2012 convention, here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah, the four movements follo...
This thoughtful arrangement of the well-known spiritual 'Somebody's knockin' at yo' do' was originally published as part of the collection Spirituals for Upper Voices. The two vocal lines are eminentl...