Ophelia, Caliban and Miranda

for SATB, piano, and optional saxophone, bass, and drum kit

IVA inclusa, Escluse le spese di spedizione
sarà spedito 1-2 settimani

Bob Chilcott

Ophelia, Caliban and Miranda

for SATB, piano, and optional saxophone, bass, and drum kit

Bob Chilcott

Ophelia, Caliban and Miranda

for SATB, piano, and optional saxophone, bass, and drum kit

  • Formazione coro misto (SATB) e pianoforte
  • Formazione opzionale coro misto (SATB), pianoforte, sassofono, basso e batteria
  • Compositore Bob Chilcott
  • Paroliere Charles Bennett
  • Difficoltà
    (facile)
  • Edizione set di parti - sassofono, basso, e batteria
  • Casa Editrice Oxford University Press
  • Numero d'ordine 9780193412729
sarà spedito 1-2 settimani
IVA inclusa, Escluse le spese di spedizione
  • Carta di credito
  • Rechnung La fattura
  • PayPal
  • Sepa

Non disponibile in tutti i Paesi. Saperne di più

Descrizione:

  • Lingua: inglese
  • Pagine: 12
  • Pubblicazione: 29.06.2016
  • Durata: 11:00
  • Dimensioni: 210 x 297 mm
  • Peso: 38 g
  • Genere: Jazz
  • Accompagnamento: Pianoforte, Ritmo
  • ISBN: 9780193412729
Ophelia, Caliban and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener, 'River Bride', the upper voices take the part of Ophelia, while the tenors and basses play a lover figure. Caliban's song, 'Ariel taught me how to play', is a reflective ballad in which the slave tells Miranda, who has escaped his advances, about the spirit helper Ariel teaching him to play the saxophone. The final movement, 'All good things come to an end', is a sassy yet tender number, where Miranda bids farewell to her beloved husband Ferdinand, declaring: 'I've gone back to the island to remember who I am'. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.