These two motets were written at the request of the Park Lane Group. They are both settings of contemplative, religious (but non-liturgical) texts and both are cast in a repetitive, rondeau-like form,...
Clemens composed two settings of the Marian text Ego flos campi, one scored for mixed choir of seven voices and this other, more intimate, setting for three voices. Here the voices weave beautiful cou...
For SA chorus and piano duet. This work uses the poem of the same name by 17th-century English poet George Herbert as the basis for its structure, framed by sections of solo music for the two pianos.
This Magnificat and Nunc Dimittis setting was written for the choirs of two churches in Brighton. It was conceived to be performed by amateur choirs, and achieves this level of accessibility whilst st...
A short anthem setting the Lord's Prayer in the version of the text from the First Prayer Book, hence the unusual spelling. This was premiered at the Brighton Festival in 2012.
Michael Finnissy's John the Baptist won the 2015 British Composer Award in the Liturgical Category. Commissioned by St John's College, Cambridge, for Advent 2014, the piece recalls the folk music of t...
This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature, Rose of such virtu...
Ben Okri's poem is a hopeful vision of understanding and co-operation between the peoples of the Earth. It is matched by Bullard's imaginative, dynamic, and skilful choral writing. The result is inspi...
A short movement from Vaughan Williams's Christmas cantata, 'Hodie'.