Dieses bekannte irländische Volkslied wurde weltüber populär als Leroy Anderson es 1947 in seiner 'Irish Suite' aufnahm. Diese Mischung von Humor und Rhythmus hat seitdem sowohl die Musiker als das Pu...
In typical Leroy Anderson style, listen for the feline saunter and strut in The Waltzing Cat. Transcribed by Philip J. Lang, this new edition comes complete with a new full score and new parts with ac...
Written for 5-6 octaves of handbells with optional sleigh bells, temple blocks, and slapstick, this Martha Lynn Thompson arrangement of LeRoy Anderson's charming Christmas song will delight your audie...
Here is a fun-to-ring 3-5 octave arrangement of Leroy Anderson's novelty showcase, 'Plink, Plank, Plunk'--performed entirely with mallets (bells on the table) and an occasional mart. By using mallets,...
Martha Lynn Thompson's 3-6 octave transcription of the last movement of Leroy Anderson's 'Suite of Carols for String Orchestra' features a brisk tempo (triple meter with the feeling of one beat per me...
Fun for the ringers to perform and engaging for audiences to hear, Martha Lynn Thompson's setting of this jazzy Leroy Anderson composition makes an excellent concert encore. With the exception of an o...
Leroy Anderson introduced this playful composition to audiences by saying he had often wondered what a clock would sound like if, instead of going 'tick-tock, tick-tock, ' it went 'tock-tick-tock. ' A...
This piece, written by Leroy Anderson in 1947, was commissioned by Arthur Fiedler and the Boston Pops Orchestra. Written in a classic song-and-trio form, it is based on the childhood nursery song ''Th...