Originally written for treble voices, this musical setting of the William Blake text is equally exciting for mixed voices. An energetic, inventive and rhythmically vibrant work, your choir will explor...
This poem by Longfellow is mainly in unison, breaking into two parts at the end of stanzas and in the coda where the voices pick up the “snowflake” motif from the piano.
The Lamb is a setting of William Blake's poem from his “Songs of Innocence.” This piece works nicely on a concert program when paired with the composer's setting of Blake's corresponding p...
Commissioned by Drumpetello (Carrie Pierce; Matthew McClung; and Mary Thornton) and Texas A&M University - Corpus Christi; Mesoamerican Suite is comprised of five brief and varied impressions of tales...
This fiendishly virtuosic concert piece was written for trombonist Brian Diehl in 1994. A dermish is a Croatian folk dance (authentically spelled 'drmes') containing dance steps that, at times, go 'ag...
Blue Monkey is a short; jaunty duo; perfect for concert/recital programming. The main riff in swing eighths is repeated throughout; ensuring that it sticks in the mind of the audience.
TWO LATIN DANCES is a beautifully evocative and sizzling work based on Bossa Nova and Tango rhythms, now available in a new arrangement for horn and piano by the composer. While at first sounding as t...