Kantate für Solisten, Chor und Instrumente oder Orgel. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Orgel - Singpartitur; Chorpartitur; OrgA
Johann Kuhnau, predecessore di Johann Sebastian Bach come Thomaskantor a Lipsia, ha lasciato una vasta opera, tra cui lavori centrali per strumenti a tastiera. Ora, per la prima volta, tutte queste op...
Johann Kuhnau (1660-1720) is a composer whose fame is connected with a single work of a rather comprehensive oeuvre: There is hardly an organist who has not played his first biblical sonata 'Der Strei...
The gentle, lilting quality of this anthem is highly appealing, and John Leavitt's careful and artful edition of this familiar text and tune sparkles. The optional string trio will add a special touch...
Dr. Patrick Liebergen layers classic choral writing over an intricate piano invention from the Baroque era, creating an excellent opportunity to develop solid intonation, rich tone quality, and expres...
SAB. Dr. Patrick Liebergen layers classic choral writing over an intricate piano invention from the Baroque era, creating an excellent opportunity to develop solid intonation, rich tone quality, and e...
Johann Kuhnaus überliefertes Vokalwerk wird den Katalog von Breitkopf & Härtel in den kommenden Jahren vollständig ergänzen. In der Regel sprechen wir dabei con Kantaten, zumindest jedoch von Werken m...
Die Urheberschaft der Motette Tristis est anima mea (Betrübt ist meine Seele) ist umstritten, wird jedoch in der Regel dem Leipziger Thomaskantor und Bach-Vorgänger Johann Kuhnau zugeschrieben. Stilis...
Arranged by John Kingsbury.
Kantate für 3 Solisten, Chor und Instrumente oder Orgel. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Orgel/ Trompete (2)/ Cornetti, Posaune (3), Fagott, Streicher, Basso continuo - Part...
Trompete (2)/ Cornetti - Bläserpartitur 1
Posaune (3) - Bläserpartitur 2
Die Kantate 'Daran erkennen wir, dass wir in Ihm bleiben' ist für den ersten Pfingstfeiertag bestimmt. Ihr liegt ein Text von Johann Christoph Wentzel (1659-1723) zugrunde. Wentzel stammte aus Unterel...
Il Magnificat in do maggiore di Kuhnau - oltre alle Sonate bibliche - è considerato il suo lavoro più ambizioso e più conosciuto. Tuttavia, come hanno chiarito le ricerche più recenti, nella sua opera...
Dieses Stück stammt aus dem Sammelband 'Für Elise' von Hans-Günter Heumann: Mit dieser Sammlung der 100 schönsten leichten Originalkompositionen für Klavier liegt eine Auswahl an Werken vor, die jeden...
Aus: Musicalische Vorstellung einiger Biblischer Historien in 6 Sonaten.
A biblical sonata based on the battle between David and Goliath.
Kuhnau, Johann (1660 - 1722)
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...
Originally attributed to J. S. Bach (Cantata BWV 142) this work is now thought to be by German composer and organist Johann Kuhnau, who preceded Bach as cantor at the Thomaskirche in Leipzig. This joy...
The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...
Festliche Blechbläserklänge für den kirchlichen Rahmen.