Each organ symphony by Enjott Schneider has its own colour and its own theme. Organ Symphony No. 7 'Von Ewigkeit zu Ewigkeit' is dominated by the theme of 'time': from the flowing rumbling of time in...
One of the first things that comes to one's mind when reading the title of Organ Symphony No. 9 'Pathétique' by Enjott Schneider is another work with this epithet: Tchaikovsky's Symphony No. 6. And th...
The association of the twelfth Organ Symphony with Pentecost began with the Regensburg Cathedral organist Franz Josef Stoiber giving its first performance on the 2009 Rieger organ immediately in front...
In allen Kulturen der Erde steht der veränderliche Mond für das Rätselhafte, Dunkle, Weibliche, Flüssige, Magische, Unfassbare, Irrationale. Er beeinflusst die Launen von Mensch, Tier, Pflanzen und We...
Das in einem Guss zu spielende Triptychon ist thematisch auf einem Motiv in freischwebender Tonalität aufgebaut. Der Mittelteil ist extrem schnell zu spielen. Umso mehr heben sich davon die sensibel r...
This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther's music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012....
As inspiration for his Organ Symphony No. 14, Enjott Schneider draws from the atmosphere and the Romanesque style of the Imperial Cathedral of Speyer: the massive walls, the round arches, the western...
This work is an homage of Schneider to Max Reger:Organ Symphony No. 15 does not attempt to adapt Reger's style, which could hardly be made more intense or varied. On the contrary, with 'ardent reducti...